Arte español contemporáneo

Redes de arte

Observatorio de noticias de arte contemporáneo en blogs nacionales e internacionales.

< En Portada


Redes de arte es un observatorio global de noticias de arte contemporáneo, centrado en blogs nacionales e internacionales de temática artística. Arte10 selecciona regularmente los mejores blogs, para acercarlos al público en formato de feed.


En español Internacional (en inglés) Blogs de Arte10 Ver Todos Incluye tu blog Canales activos  
  ¡Cada dos semanas comentamos en Fluido Rosa de RNE3 las novedades de Redes de arte!
  Redes de arte también tiene su versión offline: Encuentro sobre arte en la red

Cabinet Magazine

1 2 3
  • Permalink for 'Shaved Heads, Snipped Tubes, Imperial  Marines, and Dope Fiends -  George  Pendle'

    Shaved Heads, Snipped Tubes, Imperial Marines, and Dope Fiends - George Pendle

    Posted: 1-January-2013, 5:03pm EST

    Can a false god deliver real miracles? Take the case of Charles E. Dederich, better known as Chuck. A more unlikely figure of divinity would be hard to imagine. Born in Toledo, Ohio, in 1913, Dederich?s early years were spent staggering through the American wilderness in a drunken haze. He flunked out of Notre Dame, was fired from his job at Gulf Oil, married and divorced twice, lost touch with his children, and slipped into what he termed ?a holocaust of boredom.? By the mid-1950s, he was a wino stumbling along the beach in Santa Monica, California, without friends or family to help him.?

  • Permalink for 'Seashell Sound -  Stefan  Helmreich'

    Seashell Sound - Stefan Helmreich

    Posted: 1-January-2013, 4:55pm EST

    Shell of the bright sea-waves!?
    What is it, that we hear in thy sad moan?
    Is this unceasing music all thine own?
    Lute of the ocean-caves!?

    Or does some spirit dwell
    In the deep windings of thy chambers dim,?
    Breathing forever, in its mournful hymn,
    Of ocean?s anthem swell??
    ?Amelia Welby, ?To a Sea-Shell,? 18451

    What sounds reside in spiral seashells? For generations, people who live by the sea have held that, when pressed to the ear, seashells resound with something like the roar of the ocean?a sensation whose explanation has offered a puzzle pleasurable and provocative to scientists and lay listeners alike.?

  • Permalink for 'Into the Woods -  Dan  Handel'

    Into the Woods - Dan Handel

    Posted: 1-January-2013, 5:08pm EST

    ?Brandis, so he told me, had traversed the woods of Pegu riding an elephant on such trails as there were, with four sticks in his left hand and a pocketknife in his right. Whenever he saw in the bamboo thickets a teak tree within two hundred feet of his trail, he cut a notch in stick number 1, 2, 3, or 4, denoting the diameter of the tree. It was impossible for European hands, dripping with moisture, to carry a notebook. At the end of the day, after traveling some twenty miles, Brandis had collected forest stand data for a sample plot four hundred feet wide and twenty miles long, containing some nineteen hundred acres. He continued his cruise for a number of months, sick with malaria in a hellish climate. Moreover, he underwent a trepanning operation, and for the rest of his life he carried a small hole filled with white cotton in the front of his skull. But he emerged from the cruise with the knowledge needed for his great enterprise.?1

  • Permalink for 'The Tattoo Solution -  George  Prochnik'

    The Tattoo Solution - George Prochnik

    Posted: 1-July-2012, 4:22pm EDT

    The universality of tattooing is a curious subject for speculation.
    ?Captain James Cook

    I
    Everybody everywhere, it seems, originally agreed that their skin could be better, that it wasn?t doing the job it might have done, that it was holding in too much or hiding too little; that it needed a hole, a gash, a bump, a rash, a zag, a zig, a beast, a grid, a swirl, a sword, a word, a Lord, a girl, a grin, a heart, a yin, a cross, a globe, a star, a sleeve, a polychromatic cosmic sheath marking every place the body bleeds.

    That much is obvious. Human beings believe the ecology between what?s outside and inside is off and the epidermis is the best place to begin redressing this imbalance. The universality of tattooing Cook pointed to reflects the universality of the knowledge that we are not made in our own image. Whatever we might be, we look down at our bare skin and know there?s been a mistake, an omission. This unruly fabric in which we?re so wrapped up?this, anyway, is not it.

  • Permalink for 'Trap Streets -  James  Bridle'

    Trap Streets - James Bridle

    Posted: 1-October-2012, 6:06pm EDT

    In 2001, the Ordnance Survey of Great Britain took the Automobile Association, a motoring organization, to court over copyright infringement, claiming the Automobile Association was using Ordnance Survey maps as the source material for its atlases and town plans.?

    The Ordnance Survey originates in a 1747 plan to facilitate the subjugation of the Highland clans following the Jacobite uprising of 1745, when Lieutenant Colonel David Watson proposed that a comprehensive survey of Scotland would assist in further campaigns. The result?The Duke of Cumberland?s Map produced under the command of its namesake by William Roy, Paul Sandby, and John Mason?was the first military-quality map of the British Isles, and grew into the Principal Triangulation of Great Britain (1783?1853), which set the standard for the Ordnance Survey?s work.?

  • Permalink for 'The Coldscape -  Nicola  Twilley'

    The Coldscape - Nicola Twilley

    Posted: 1-October-2012, 6:34pm EDT
    More than three-quarters of the food consumed in the United States today is processed, packaged, shipped, stored, and sold under artificial refrigeration. The shiny, humming stainless steel box in your kitchen is just the tip of the iceberg, so to speak?a tiny fragment of the vast global network of temperature-controlled storage and distribution warehouses cumulatively capable of hosting uncounted billions of cubic feet of chilled flesh, fish, or fruit. Add to that an equally vast and immeasurable volume of thermally controlled space in the form of shipping containers, wine cellars, floating fish factories, international seed banks, meat-aging lockers, and livestock semen storage, and it becomes clear that the evolving architecture of coldspace is as ubiquitous as it is varied, as essential as it is overlooked.
  • Permalink for 'Just Deserts: An Interview with Danielle S. Allen -  Justin E. H. Smith and  Danielle S.  Allen'

    Just Deserts: An Interview with Danielle S. Allen - Justin E. H. Smith and Danielle S. Allen

    Posted: 1-July-2012, 10:51pm EDT

    What are the differences in the ways different societies conceptualize punishment? What are the differences in the ways they enact it? And what can be learned by looking at other systems of punishment about the contingency and potential for transformation of our own system? Ancient Athens has often served as a model for certain of the modern world?s deepest aspirations in democratic government and philosophical rationality. At least since Nietzsche, it has also sometimes been approached as an extremely foreign land, whose values and practices, in their strangeness, can at the same time show just how strange our own are. How, now, does Athens look when we turn our attention to its conceptualization and enactment of punishment?

    Danielle S. Allen is a political theorist who has addressed these questions in her work on both ancient Athens and modern America. Author of The World of Prometheus: The Politics of Punishing in Democratic Athens (Princeton University Press, 2000), Talking to Strangers: Anxieties of Citizenship since Brown v. Board of Education (University of Chicago Press, 2004), and Why Plato Wrote (Wiley-Blackwell, 2010), Allen is UPS Foundation Professor at the Institute for Advanced Study in Princeton, New Jersey. Justin E. H. Smith spoke to Allen by phone about the relationship between justice, punishment, and citizenship.

  • Permalink for 'D.I.Y. Eye in the Sky -  Andrew  Toland'

    D.I.Y. Eye in the Sky - Andrew Toland

    Posted: 1-July-2012, 10:25pm EDT

    While searching for images of Beirut?s skyline on the internet, I came across three images posted to someone?s Flickr account. I wanted to find out who took them. What was the exact location in Beirut from which they were taken? Exactly what time of the day were they taken? What could be unearthed about the person who took them? Just how far beyond the images could you go?

    Step 1 WHAT YOU WILL NEED: One computer, connected to the internet. That is all.

  • Permalink for 'Reimagining Recreation -  James  Trainor'

    Reimagining Recreation - James Trainor

    Posted: 1-April-2012, 6:00am EDT
    There was a child went forth every day, / And the first object he looked upon and received with wonder, pity, love, or dread, that object he became, / And that object became part of him for the day, or a certain part of day, or for many years, or stretching cycles of years.
    ?Walt Whitman, Leaves of Grass, 1856

    Mid-1970s I?ll pin the blame on Robert Moses for this one.

    After all, it was one of his playgrounds, one of the safe, drab, battleship-gray ones whose WPA-era design had changed little since Moses assumed power as New York City?s parks commissioner in 1934 (during his twenty-six-year reign, 650 playgrounds were built). The banal swing-set. The bone-jarring seesaw. The galvanized slide. The joyless sprinkler. Each static feature was set far apart from the others, as if to avoid cross-contamination of respective functions, all of it embedded in a vast expanse of summer-blistered asphalt and concrete. I was five years old and with a sizable gash in my forehead, blood streaming down my face (eight stitches, lots of iodine, Roosevelt Hospital emergency room); it was my first and last major mishap in a New York playground, one that instantly implanted a lifelong phobia of pebble-dashed concrete. Along with asphalt (a ?resilient? surface, Moses once proudly explained, that prevents children from ?digging and eliminates dust?), it was the most unlikely play surface ever concocted by bureaucratic city planners charged with the safety of Gotham?s young. (An artificial agglomerate, it was thought to give traction to little feet running through sprinkler basins, but had the added benefit of acting like a human cheese-grater for unexpectedly airborne kids.)1

  • Permalink for 'Heavy Breeding -  Michael  Wang'

    Heavy Breeding - Michael Wang

    Posted: 1-April-2012, 6:00am EDT

    In 1920, the brothers Lutz and Heinz Heck, directors of the Berlin and Munich zoos, respectively, began a two-decade breeding experiment. Working with domestic cattle sought out for their ?primitive? characteristics, they attempted to recreate ?in appearance and behavior? the living likeness of the animals? extinct wild ancestor: the aurochs. ?Once found everywhere in Germany,? according to Lutz Heck, by the end of the Middle Ages the aurochs had largely succumbed to climate change, overhunting, and competition from domestic breeds.1

    The last aurochs herds died out in the Polish-Lithuanian Union, where a documented population persisted under royal protection in Mazovia until the middle of the seventeenth century. Historical descriptions of these animals identified the aurochs as similar to domestic oxen, but entirely black, with a whitish stripe running down the back.2 More distant accounts emphasized their ferocity and imposing size. Julius Caesar described the aurochs of Germania as an elephantine creature prone to unprovoked attack.3

1 2 3



Otros canales
rss   twitter   facebook   youtube






 portal:   Aviso Legal | Información | Enviar a un amigo | Enlazar con Arte10 | Publicidad en Arte10.com | Contacto | Widgets y RSS |  

Arte10.com (portal) - Arte10.org ((art) red social) - Cuaderno10.com (portal de literatura) - by Portfolio Multimedia

Arte10.com es una marca registrada con referencia: M2303078
ISSN 1988-7744. Título clave: Monográficos de Arte 10. Tít. abreviado: Monogr. Arte 10.

    |  © 1999-2013 ARTE10.COM