Arte contemporáneo en España

Redes de arte

Observatorio de noticias de arte contemporáneo en blogs nacionales e internacionales.

< En Portada


Redes de arte es un observatorio global de noticias de arte contemporáneo, centrado en blogs nacionales e internacionales de temática artística. Arte10 selecciona regularmente los mejores blogs, para acercarlos al público en formato de feed.


En español Internacional (en inglés) Blogs de Arte10 Ver Todos Incluye tu blog Canales activos  
  ¡Cada dos semanas comentamos en Fluido Rosa de RNE3 las novedades de Redes de arte!
  Redes de arte también tiene su versión offline: Encuentro sobre arte en la red

Networked_Performance

1 2 3 4 ... 117
  • Permalink for 'Turbulence Commission: ?Empire State? by Steve Klise'

    Turbulence Commission: ?Empire State? by Steve Klise

    Posted: 9-June-2014, 3:58pm EDT by jo

    Turbulence Commission: Empire State by Steve Klise [To observe, visit after sunset EST. To create, visit anytime]

    Empire State transmits camera flashes from the Empire State Building’s observation deck in New York City to the virtual observation deck of your computer screen. It also provides step-by-step instructions on how to create a LEGO replica of the iconic building, which lights up every time a visitor takes a photograph of Manhattan at night. Empire State is a continuous feedback loop of physical and virtual architectures (building/model/code) and of the perceptions of sightseers both on-site and on-line. The actual is recorded, translated, transmitted, and received. The observers are the observed.

    Empire State is a 2014 commission of New Radio and Performing Arts, Inc. for its Turbulence.org website. It was made possible with funding from the Jerome Foundation, now celebrating 50 years of the creative spirit of emerging artists.

    BIOGRAPHY

    Steve Klise is a programmer and artist living in Brooklyn, New York. He spreads knowledge, fosters learning and teaching, and draws attention to small moments in our collective interactions with his art. Steve is an alumnus of New York University?s Interactive Telecommunications Program. He currently works for O?Reilly Media.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

  • Permalink for 'Turbulence Commission: ?Shadow Play - Tales of Urbanization of China? by Lily & Honglei'

    Turbulence Commission: ?Shadow Play - Tales of Urbanization of China? by Lily & Honglei

    Posted: 3-June-2014, 8:00pm EDT by jo

    Turbulence Commission: Shadow Play: Tales of Urbanization of China by Lily & Honglei [Download Second Life for desktop and Layar for mobile devices]

    Over the past few decades China has been urbanizing at an astounding pace. In 2013, the People’s Republic unveiled its plan to relocate 260 million people from China’s countryside to one of 21 “mega regions” by 2020 (cbsnews.com). Such a significant shift will undoubtedly transform China’s national character, which has been predominantly agrarian for millennia. Shadow Play weaves three interfaces, Virtual Reality (VR), Augmented Reality (AR), and Physical Reality (PR), and combines the past and present — through time-honored imagery, paint, “shadow play,” and new media technologies — to immerse participants in the realities of contemporary China.

    Shadow Play: Tales of Urbanization of China is a 2014 commission of New Radio and Performing Arts, Inc. for its Turbulence.org website. It was made possible with funding from the Jerome Foundation, now celebrating 50 years of the creative spirit of emerging artists.

    BIOGRAPHY

    Based in New York and Beijing, Lily & Honglei is an artist collective consisting of Xiying Yang, Honglei Li and He Li. Utilizing traditional painting, video, and new media Lily & Honglei creates ‘visual fables’ which intertwines current social issues with cultural heritage. Their artworks have been presented at numerous international and national venues including Museum of Art and Design in New York, Queens Museum of Art in New York, Whitney Museum of American Art, He Xiangning Art Museum in China, ICA Boston, The Painting Center of New York, Eyebeam Art & Technology Center, Electronic Visualization & Arts at British Computer Society in London, ISEA?Intel Society of Electronic Arts in Istanbul, New York Artist Residency Foundation Gallery, Shanghai University Gallery, MIT Center for Advanced Visual Studies, SIGGRAPH 2008, SIGGRAPH Asia 2013, Dumbo Art Festival in New York, among many others.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

  • Permalink for 'Turbulence Commission: ?Grow Old? by Jason Freeman'

    Turbulence Commission: ?Grow Old? by Jason Freeman

    Posted: 14-May-2014, 3:13pm EDT by jo

    Turbulence Commission: Grow Old by Jason Freeman:

    Why can’t music grow old with us?

    Grow Old is a streaming EP that reflects upon the malleability of digital audio in a cloud-based musical world. The music, regenerated daily by a simple computer program, changes subtly from one day to the next and more dramatically over the course of weeks, months, and years. So just as we constantly bring new perspectives and experiences to the music we hear, the music itself also changes over time. The web site includes the current version of each of the EP’s four tracks, extensive notes on each track, the computer source code used to generate each track, and subscription links to automatically receive new versions as a podcast.

    Grow Old is a 2013 commission of New Radio and Performing Arts, Inc. for its Turbulence.org website. It was made possible with funding from the National Endowment for the Arts.

    BIOGRAPHY

    Jason Freeman is an Associate Professor of Music in the College of Architecture at Georgia Tech. As a composer and computer musician, Freeman uses technology to create collaborative musical experiences in live concert performances and in online musical environments, utilizing his research in mobile music, dynamic music notation, and networked music to develop new interfaces for collaborative creativity. Freeman received his B.A. in music from Yale University and his M.A. and D.M.A. in composition from Columbia University.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

  • Permalink for 'Augment it Yourself (AiY): Call for Proposals'

    Augment it Yourself (AiY): Call for Proposals

    Posted: 9-May-2014, 12:42pm EDT by jo

    ?Perception, in whatever sensory modality, is the result of the brain?s cartographic skill.? Antonio Dimasio

    New Radio and Performing Arts, Inc. (NRPA) invites you to propose a hybrid net art project for Turbulence.org - Augment it Yourself (AiY). Projects must use both the World Wide Web and a physical site :: Deadline: July 1, 2014 :: Commission Amount: $6,000 :: Commission Date: July 2015.

    • The behavior of all particles is contingent on the presence of a conscious observer.
    • Our internal and external perceptions are inextricably connected.
    • Reality is the perpetual enfolding/unfolding of autopoiesis (self-making), in relationship with others and our environment.

    Augmented Reality (AR) is a real-time experience of a real-world environment whose elements are augmented by computer-generated sensory input — such as video, graphics or sound — and mapped to GPS coordinates. Thus, after downloading an AR ?app? to a smartphone and going to the specified location, users are able to experience intertwined realities.

    While AR refers to the technologies that make these experiences possible, we are interested in how we have always augmented our realities — with our brains and other reality-mediating technologies — modifying and/or enhancing reality by layering memories on real-time perceptions, for instance. How will your project contribute to perception, memory, and the creation of the autobiographical self?

    Required: Proposal (max 500 words), Biography (max 300 words), and URLS of past work.

    Email them to turbulence @ turbulence.org with the Subject: Turbulence.org - AiY Proposal.

    * Do it Yourself (DiY) empowers individuals to make things without the aid of ?experts? or professionals; it is an alternative to consumer culture?s emphasis on relying on others to satisfy ones needs.

  • Permalink for 'Two National Endowment for the Arts grants for Turbulence.org'

    Two National Endowment for the Arts grants for Turbulence.org

    Posted: 4-May-2014, 2:25pm EDT by jo

    New Radio and Performing Arts, Inc. (NRPA) is recommended for two NEA Art Works grants totaling $45,000: (1) to commission Annie Abrahams, Curt Cloniger, Joseph DeLappe, Zannah Marsh, and Serena Reed; and (2) to redesign Turbulence.org.

    The NEA received 1,515 eligible applications under the Art Works category, requesting more than $76 million in funding. Of those applications, 886 are recommended for grants for a total of $25.8 million. For a complete listing of projects recommended for Art Works grant support, please visit the NEA website at arts.gov.

  • Permalink for 'Turbulence Commission: ?iLib Shakespeare (the perturbed sonnet project)?'

    Turbulence Commission: ?iLib Shakespeare (the perturbed sonnet project)?

    Posted: 13-April-2014, 5:24pm EDT by jo

    Turbulence Commission: iLib Shakespeare (the perturbed sonnet project) by Scot Gresham-Lancaster and Tim Perkis:

    iLib Shakespeare (the perturbed sonnet project) is a social media mashup that uses the dynamic input of users to continuously rewrite a sonnet of William Shakespeare. The user phonetically rhymes a word or short phrase, which is added to the database of variations available to other users. For instance unhappily forsworn can be rhymed as so snappily untorn. Each time the page is loaded, a different selection of user-defined substitutions is used. A transposed midi version of “Lachrimae” or “Seven Tears,” by John Dowland (1563-1626), can be heard as well, with “perturbations” that increase as the sonnet text is modified.

    iLib Shakespeare (the perturbed sonnet project) is a 2014 commission of New Radio and Performing Arts, Inc. for its Turbulence.org website. It was made possible with funding from the National Endowment for the Arts.

    BIOGRAPHIES

    Scot Gresham-Lancaster is a composer, performer, instrument builder and educator. He is an Associate Professor of Sound Design at ATEC UT Dallas where he researches multimodal representations (the relationship of sonified and visualized data sets). As a member of the HUB, he was an early pioneer of “computer network music.” Scot has created a series of “co-located” international Internet performances with music and dance. He has developed many “cellphone operas” and developed audio for games and other interactive products. He is also an expert in educational technology. Scot remains committed to a future in which Art and Science synergize each other.

    Tim Perkis has been working in live electronic and computer sound for many years, performing, exhibiting installation works, and recording in North America, Europe and Japan. His work has largely been concerned with exploring the emergence of life-like properties in complex systems of interaction. In addition, he is a well known performer in the world of improvised music, having performed on his electronic improvisation instruments with hundreds of artists and groups, including Chris Brown, John Butcher, Eugene Chadbourne, Fred Frith, Gianni Gebbia, Frank Gratkowski, Luc Houtkamp, Yoshi Ichiraku, Matt Ingalls, Joelle Leandre, Gino Robair, ROVA saxophone quartet, Elliott Sharp, Leo Wadada Smith and John Zorn. Ongoing groups he has founded or played in include the League of Automatic Music Composers and the HUB — pioneering live computer network bands — and Rotodoti, the Natto Quartet, Fuzzybunny, All Tomorrow’s Zombies and Wobbly/Perkis/Antimatter.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

  • Permalink for 'Turbulence Commission: ?A More Subtle Perplex? by Ben Dean'

    Turbulence Commission: ?A More Subtle Perplex? by Ben Dean

    Posted: 2-April-2014, 4:40pm EDT by jo

    Turbulence Commission: A More Subtle Perplex by Ben Dean [This is an open source project: you can contribute to the Perplex here]:

    A More Subtle Perplex is an experiment in quasi-linguistic formalism, in gibberish. Borrowing and inverting techniques from computer science and analytic linguistics, it blindly strives to produce the outer appearance of language — to be all form and no content. The Perplex produces synthetic languages, or at least their syntactic forms, by writing letters to you. The production of the text and the production of a given language are interdependent.

    Like most of Dean’s work, this is a serious joke. A lonely robot, desperately seeking to communicate in an endless series of idiolects, or a play on the abstract aesthetics of non-representational painting for a conceptual artist. And, like most of his work, it is a point on a line, or a member of a set — these examples are not the first, nor will they be the last iterations of the project to make excellent gibberish.

    A More Subtle Perplex is a 2014 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was funded by the National Endowment for the Arts.

    BIOGRAPHY

    Ben Dean is a student of symbols and their systems in theory and practice. From the tarot to commercial signage to computer science, he investigates the joints of formal systems and lived experience: the meeting of the logical and the mystagogical. He lives and works in Los Angeles as an artist, computer programmer, and consulting wizard. An always incomplete survey of his work is available at indefiniteways.com.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

  • Permalink for 'Turbulence Commission: [ openspace ] wilderness by Andrew Lyman'

    Turbulence Commission: [ openspace ] wilderness by Andrew Lyman

    Posted: 24-March-2014, 11:16am EDT by jo

    Turbulence Commission: [ openspace ] wilderness by Andrew Lyman:

    [ openspace ] wilderness is a virtual nature preserve for a deserted section of internet. It is inhabited by more than 6,000 blogs that have been silent for 6 or more years. Whereas abandoned neighborhoods of cities — like Detroit — are undergoing rewilding (to restore and protect natural processes), what manner of new life is possible for vacated internet spaces? Visitors to [ openspace ] wilderness are invited to tag and explore its contents, and engage with the park’s active population of predators and foragers. [ openspace ] wilderness is a finite and consumable space: it may be mapped and preserved, or overrun and overgrazed depending on the actions of its visitors. Read a review.

    [ openspace ] wilderness is a 2014 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was funded by the National Endowment for the Arts.

    BIOGRAPHY

    Andrew Lyman is an artist, curator, programmer, and publisher. Andrew has run the Tan gallery and its sister, the Tannex since 2011 in the Barelas neighborhood of Albuquerque, New Mexico. He has worked as and with various artists, oddballs, arts organizations, and galleries over the years and hails originally from Indiana.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

  • Permalink for 'Turbulence Commission: ?Psychographics? by Dane Watkins'

    Turbulence Commission: ?Psychographics? by Dane Watkins

    Posted: 17-February-2014, 2:23pm EST by jo

    Turbulence Commission: Psychographics: Consumer Survey by Dane Watkins: Corporations use state of the art technology to examine every aspect of your lifestyle and generate a unique psychological and demographic consumer profile. There are three archetypes of consumerism: “Basic Consumer — Merchandiser”; “Average Consumer — Passive Spectator”; and “Advanced Consumer — Networker”. “Psychographics” is an online survey that helps you to evaluate your consumer status. Take the survey and discover your archetype!

    Psychographics: Consumer Survey is a 2014 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was funded by the National Endowment for the Arts.

    BIOGRAPHY

    Dane Watkins’ (aka eatmydata) research-based, context-responsive practice examines how conventional drawing and animation techniques can be developed and shown in digital environments, such as the web, computer-driven installation, and mobile devices. In the past few years Watkins has developed an extensive body of drawings, animations and interactive surveys that reveal audience motivations through experimentation with transactional media. Currently, he is lead artist on the “Whose Data?” project at Knowle West Media Centre, UK. The project, in partnership with Western Power and Siemens, investigates how local communities can make the most of their personal data.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

  • Permalink for 'Turbulence Commission: ?From the Valley of the Deer? by Jillian McDonald'

    Turbulence Commission: ?From the Valley of the Deer? by Jillian McDonald

    Posted: 17-February-2014, 2:32pm EST by jo

    Turbulence Commission: From the Valley of the Deer by Jillian McDonald [For mobile devices]: From the Valley of the Deer is an augmented reality artwork based on Valley of the Deer, a video installation produced in Scotland in 2013. In each city where the installation is exhibited, local GPS coordinates will be haunted by characters and scenes from the video, discoverable on walking tours near the exhibition site. These apparitions may also be stumbled upon as ‘Points of Interest’ by passersby, the locations visited long after by spirits of a distant valley.

    From the Valley of the Deer is a 2013 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was funded by the Jerome Foundation.

    BIOGRAPHY

    Jillian McDonald is a Canadian artist who divides her time between New York and Canada. She is an Associate Professor of Art at Pace University. She is hopelessly in love with northern places, snow, fog, and the ocean, and since 2006 has watched a healthy amount of horror films. She spent much of the past year living and working in Northeastern Scotland.

    Solo shows and projects include the Esker Foundation in Calgary; Moti Hasson Gallery, Jack the Pelican Presents, and vertexList in New York; The San Francisco Arts Commission Gallery and Rosenthal Gallery in San Francisco; Hallwalls in Buffalo; La Sala Narañja in Valencia, Spain; and YYZ in Toronto. Her work has been included in group exhibitions and festivals at The Chelsea Museum and The Whitney Museum’s Artport in New York; The Edith Russ Haus for Media Art in Oldenburg, Germany; MMOCA in Madison, Wisconsin; Onsite at OCADU and YYZ Gallery in Toronto; The International Biennial of Contemporary Art in Mérida, Venezuela; The Sundance Film Festival in Utah; La Biennale de Montréal; and the Centre d?Art Contemporain de Basse-Normandie in Caen, France.

    Her work was the subject of a 2013 radio documentary by Paul Kennedy on CBC’s IDEAS. It has been reviewed in The New York Times, Art Papers, The Globe and Mail, The Toronto Star, Border Crossings, and The Village Voice, among others. A discussion of her work appears in several books including Better Off Dead, edited by Sarah Juliet Lauro and Stalking by Bran Nicol.

    McDonald has received grants and commissions from The New York Foundation for the Arts, The Canada Council for the Arts, Soil New Media, Turbulence.org, The Verizon Foundation, The New York State Council on the Arts, The Experimental Television Center, and Pace University. She lectures regularly about her work and has attended numerous residencies including The Headlands Center for the Arts in California, Lilith Performance Studio in Sweden, The Lower Manhattan Cultural Council’s Workspace Program in New York, The Western Front in Vancouver, and The Banff Centre for the Arts in Alberta. In 2012 she represented Canada at the Glenfiddich international residency in Dufftown, Scotland.

    “Like” us on Facebook:
    [facebook.com]
    [facebook.com]

    Follow us on Twitter:
    [twitter.com]

1 2 3 4 ... 117






Otros canales
rss   twitter   facebook   youtube






 portal:   Aviso Legal | Información | Enviar a un amigo | Enlazar con Arte10 | Publicidad en Arte10.com | Contacto | Widgets y RSS | Mapa de Museos de España

Arte10.com (portal) - Arte10.org ((art) red social) - by Portfolio Multimedia

Arte10.com es una marca registrada con referencia: M2303078
ISSN 1988-7744. Título clave: Monográficos de Arte 10. Tít. abreviado: Monogr. Arte 10.

    |  © 1999-2014 ARTE10.COM