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Since 1996, the Guggenheim has collaborated with HUGO BOSS to honor an artist whose work represents a significant development in contemporary art. In advance of the announcement of this year?s winner on November 1, learn about the recent and upcoming activity of the artists short-listed for this year?s prize.
Featuring postwar European and American art by artists such as Alexander Calder, Eduardo Chillida, Ellsworth Kelly, Jasper Johns, and Cy Twombly, the collection was the bequest of Hannelore B. Schulhof.
A full roster of public programs is presented this fall in conjunction with the exhibition Picasso Black and White. For more information, please visit the Public Programs page or call the Box Office at 212 423 3587, Mon?Fri, 1?5 pm.
ASL Interpretation available for programs upon request by e-mail at publicprograms@guggenheim.org.
CONVERSATIONS
Artist to Artist: Koons and Picasso
Fri, Oct 26, 6:30 pm
Jeff
Koons discusses his enduring creative fascination with Pablo Picasso,
in lively dialogue with art historian Pepe Karmel, New York University. A
reception and exhibition viewing of Picasso Black and White follow.
Sold Out
$10, $7 members, free for students with a valid ID and advance registration.
Doors open one hour prior to events and standby numbers are available on a first-come, first-served basis. Each person is given one number (good for one ticket), and may hold a number for one other person. After ticket-holders have been seated, numbers will be called in order and standby tickets will be sold as space allows. Students with valid ID may purchase standby tickets at a discounted $7 ticket price.
Picasso: A Conversation
Fri, Nov 2, 6:30 pm
Carmen Giménez, Stephen and Nan Swid Curator of Twentieth-Century Art, Guggenheim Museum, and curator of Picasso Black and White,
engages in conversation about the Spanish master and his lifelong
exploration of a black-and-white palette with Diana Widmaier Picasso,
art historian, co-curator of Picasso and Marie-Thérèse L?Amour fou
(Gagosian Gallery, New York, 2011), and granddaughter of the artist,
and Gary Tinterow, Director of the Museum of Fine Arts, Houston, as well
as curator and author of notable Picasso exhibitions and publications. A
reception and exhibition viewing of Picasso Black and White follow.
$10, $7 members, free for students with a valid ID and advance registration.
LECTURE
Variations in Black and White
Tues, Jan 8, 6:30 pm
Susan
Galassi, the Frick Collection, considers the special qualities of Pablo
Picasso?s interpretations of masterpieces of the past, depicted in
black-and-white drawings, and investigates this translation between
mediums and color palettes. A reception and exhibition viewing of Picasso Black and White follow.
$10, $7 members, free for students with a valid ID and advance registration.
SYMPOSIUM
Monographic Motifs: One Artist, One Theme, 1900?1970
Tues, Jan 22, 2 pm
Building on the same methodological approach as the exhibition Picasso Black and White, this emerging scholars symposium gathers together parallel modernist explorations of a particular formal or thematic element in the work of Picasso?s contemporaries and other artists whose careers have spanned the 20th century.
Richard Shiff, The University of Texas at Austin, presents the keynote lecture, ?De Kooning: The Kick, the Twist, the Woman, the Rowboat.?
The symposium concludes with ?Picasso: A Conversation? (rescheduled from November 2) in which Carmen Giménez, Stephen and Nan Swid Curator of Twentieth-Century Art, Guggenheim Museum, and curator of Picasso Black and White, engages in conversation about the Spanish master and his lifelong exploration of a black-and-white palette with art historian Diana Widmaier Picasso, co-curator of Picasso and Marie-Thérèse L?Amour fou (Gagosian Gallery, New York, 2011) and granddaughter of the artist, and Gary Tinterow, Director of the Museum of Fine Arts, Houston.
For a detailed scheduled and list of speakers, see the symposium page.
$10, $7 members, FREE students with valid ID. Limited availability. Reserve a student ticket.
FILM SCREENINGS
Fris, Oct 5, 2012?Jan 18, 2013, 1 pm (except Nov 23)
Filmed through glass and transparent canvas, the rare documentaries Visit to Picasso (1949, dir. Paul Haesaerts) and The Mystery of Picasso (1956, dir. Henri-Georges Clouzot) provide a portrait of the artist in the throes of creation.
Film
screenings are free with museum admission unless otherwise indicated
and are shown in the New Media Theater in the Sackler Center for Arts
Education. Visit the Film Screenings page for the complete schedule.
CURATOR'S EYE AND CONSERVATOR'S EYE TOURS
Fris, Nov 2, Nov 9, Nov 16, Dec 7, 2 pm
Curators and conservators lead in-depth tours of Picasso Black and White.
Fri, Nov 2: Led by Karole Vail, Associate Curator
Fri, Nov 9: Led by Julie Barten, Senior Conservator of Collections and Exhibitions
Fri, Nov 16: Led by Karole Vail, Associate Curator
Fri, Dec 7: Led by Gillian McMillan, Associate Chief Conservator for the Collection
Free with museum admission.
FOR VISITORS WITH DISABILITIES
Mind?s Eye Programs
Mons, Oct 1, Nov 5, Dec 3, Jan 7, 6:30 pm
Tours and workshops for visitors who are partially sighted or blind are presented through Verbal Imaging and touch.
Free. Registration required at access@guggenheim.org or 212 360 4355. For more information visit the Minds Eye page.
ART AFTER DARK
Fri, Dec 7, 9 pm?midnight
The museum will fill with the sounds of guests enjoying the Guggenheim's fall exhibitions and a cash bar against the background of a playlist selected by artist William Cordova.
Free for members, $18 guests and general public (credit card only at the door). For details visit the Art After Dark page.
After identifying, creating, or transforming ?stillspots? in Manhattan, Brooklyn, Queens, and Staten Island into public tours, events, or installations, the two-year multidisciplinary project stillspotting nyc comes to a close this month in the Bronx.
In conjunction with Rineke Dijkstra: A Retrospective, neuroscientist Peggy Mason, computer scientist G. Anthony Gorry, and writer Meghan Falvey convene this week to discuss the emotion the arguably defines us as human: empathy.
June Yap is meeting with artists and intellectuals throughout South and Southeast Asia.
The jury of the 2012 International Venice Architecture Biennale awarded a Special Mention to the exhibition Spontaneous Interventions: Design Actions for the Common Good, cocurated by Guggenheim curator David van der Leer.
View the calendar
for the most up-to-date information, or call the Box Office at
212 423 3587.
Members' Party and Private View
Friday, June 8, 7:30 pm
Please join us for the members' party and private view of Art of Another Kind: International Abstraction and the Guggenheim, 1949?1960. Family members can
arrive early for family activities, followed by live music and a cash
bar for all members.
Members' Curatorial
Tour
Monday, July 16, 6:30 pm
YCC and Patrons Circle members are invited to join Tracey Bashkoff,
Senior Curator, Collections and Exhibitions, for a private tour of the
exhibition.
For more information, please e-mail patronscircle@guggenheim.org
or call 212 423 3624. YCC members, please e-mail ycc@guggenheim.org
or call 212 423 3534.
Curator's Eye Tour
Friday, June 22, 2 pm
Join Tracey Bashkoff, Senior Curator, Collections and Exhibitions for a tour of the exhibition. Free with museum admission.
Conservator's Eye Tour
Monday, August 3, 2 pm
Join Julie Barten, Senior Conservator of Collections and Exhibitions, for a tour of the exhibition. Free with museum admission.
Curator's Eye Tour
Friday, September 7, 2 pm
Join Megan Fontanella, Assistant Curator, Collections
and Provenance, for a tour of the exhibition. Free with museum admission.
The Perils of Progress: Artists and the Atomic Age
Monday, June 18, 6:30 pm
$10, $7 members, FREE for students with a valid ID. Reserve a student ticket.
Joan Marter, Distinguished Professor of Art History, Rutgers University,
discusses 1950s American sculpture as a rich, authoritative, and
vibrant art. Just as Abstract Expressionist painting is now viewed in
the context of the chaos and destructive forces of the atomic era,
sculpture of this period shares a similar vision of the world in
conflict.
Cobra: A Revolutionary European Avant-Garde Movement
Wednesday, September 5, 6:30 pm
$10, $7 members, FREE for students with a valid ID. Reserve a student ticket.
Dutch art historian Willemijn Stokvis discusses the radical postwar
Cobra movement, which was part of the international tendency toward un art autre
(art of another kind). Inspired by the art of so-called primitives,
children, and the mentally ill, the group, which included Pierre
Alechinsky, Karel Appel, and Asger Jorn, fostered idealistic,
Marxist-inspired plans for a new folk art.
"Composing with Patterns": Music at Mid-Century
Tuesday, July 10, at 7:30 pm
$20, $15 members, $10 students
Listen to experimental 1950s music by composers such as Earle Brown,
John Cage, Giacinto Scelsi, and Karlheinz Stockhausen in the museum?s
rotunda while viewing works by Louise Bourgeois, Alexander Calder,
Jackson Pollock, Antoni Tàpies, and more in Art of Another Kind: International Abstraction and the Guggenheim, 1949?1960.
Christopher McIntyre directs an all-star ensemble featuring musicians
from the International Contemporary Ensemble, Ne(x)tworks, and Either/Or
Ensemble, among others. A talk by composer R. Luke DuBois precedes the
performance.
This three-part series includes a creative writing workshop, an artist-led walk-through, and an art-historical tour, inviting fresh perspectives on Art of Another Kind.
$10, $7 members, FREE for students with a valid ID.
Reserve a student ticket.
Karen Finley
Wednesday, June 20, at 1:30 pm
Join internationally renowned artist and educator Karen Finley as she guides viewers through single works of art from Art of Another Kind: International Abstraction and the Guggenheim, 1949?60
in this writing workshop. By providing prompts to map the vernacular of
visual abstraction onto written expression, Finley leads an
investigation into notions of gesture, the elusive exotic, and the
perception of place. Framed by collaborative close looking and intimate
gallery conversations, the workshop engages participants in textual
exercises as a means of generating a personal vocabulary for
contemplation and inspiration.
Jessica Dickinson
Wednesday, July 25, at 1:30 pm
View the artworks of Art of Another Kind through the eyes of this painter, interested in "markers of a space outside the verbal and within the visible."
Approaching abstraction as a process that shifts, changes, and
challenges closed historical definitions, explore how painting has
produced multiple possibilities and voices through its vast material and
conceptual topographies. By looking firsthand at work that engages "the abstract"
as an action and a way to reflect life, take an intimate look at how
different artists have addressed the variables of material investigation
and the illusiveness of perception to expand what painting can and
continues to be.
Agnes Berecz
Wednesday, August 15, at 1:30 pm
Looking at Art of Another Kind as a document of traveling pictures and ideas, the tour addresses the different modes in which abstract painting was practiced and talked about in 1950s on both sides of the Atlantic. What was the role of painting in the first decade of the Cold War and during the traumatic process of European reconstruction? What was at stake in the embrace of gestures and signs by artists as diverse as Jackson Pollock, Asger Jorn, and Georges Mathieu? The talk will explore these questions through a study of individual paintings as well as of the shared concepts and formal languages of the works on view.
Courses & Workshops
Public & Artist Interactions with Karen Finley: The Creative Act
Monday?Friday, July 16?20, 10 am?1 pm
$300, $200 members, $150 students (over 18).
Drawing upon art on view in Art of Another Kind: International Abstraction and the Guggenheim, 1949?50 and Rineke Dijkstra: A Retrospective, this weeklong intensive explores 1950s globalism, the emergence of image culture in the postwar years, contemporary portraiture, and the nature of subjectivity. Taught by internationally acclaimed artist and educator Karen Finley, participants will engage in close looking, in-depth conversation, and diverse investigations into the creative act and art interaction. Daily sessions include gallery talks and studio exercises in which participants are encouraged to utilize and foster personal experience, building upon each previous session and culminating in a final reflection.
No experience required. Additional studio time and a July 17 artist conversation with Rineke Dijkstra are included.
Please contact publicprograms@guggenheim.org or call 212 423 3781 with any questions regarding the program.
Public & Artist Interactions is a program that invites contemporary artists to be collaborative partners in the creation of unique learning interactions.
Submit your question for Jennifer Blessing, Senior Curator, Photography, on the exhibition Rineke Dijkstra: A Retrospective in advance of Ask a Curator Day on Wednesday, September 19.
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