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VernissageTV art tv (10 unread)

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  • Permalink for 'The Eternal Internet Brotherhood 2013, Xilitla, Mexico (Remix)'

    The Eternal Internet Brotherhood 2013, Xilitla, Mexico (Remix)

    Posted: 17-May-2013, 3:26am EDT by contact@vernissage.tv (VernissageTV)
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    The Eternal Internet Brotherhood is a cooperative camp between artists, curators and writers. The 1st Eternal Internet Brotherhood took place on Anafi, an island located on the edge of the Cyclades, used in ancient times as an ?interface? for mythological adventures. The 2nd Eternal Internet Brotherhood took place in April 2013 in Xilitla, Mexico. Among the participants were Hans Ulrich Obrist, Ceci Moss, Angelo Plessas, Jacinto Astiazarán, among others (a complete list of participants is available after the break).

    Organizer Angelo Plessas describes the Eternal Internet Brotherhood as an experiment and a situation: ?During the Eternal Internet Brothehood we all stay and work closely in a common mental and/or physical environment, and we organically create new concepts swarmed by data, dreams, feelings, knowledge, visions and sounds.?

    The Eternal Internet Brotherhood 2013 was organized and curated by Angelo Plessas and Mirko de Lisi (assistant curator). Jacinto Astiazarán compiled in situ footage of the weeklong event with other participants’ online contributions, which consisted of audio recordings, texts, 3D models and website projects to create this video for VernissageTV.

    The Eternal Internet Brotherhood, April 14-20, 2013, Xilitla, Mexico. Video by Jacinto Astiazarán.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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    The Eternal Internet Brotherhood 2013 participants:

    Andreas Angelidakis (GR/NO), Ben Aqua (USA), Apache (USA), Jacinto Astiazarán (MX), Harry Burke (UK), Mike Calvert (USA), Cibelle Cavalli Bastos (BR/UK), Vincent Charlebois (CA), Tyler Coburn (USA), Gerardo Contreras (MX), Birch Cooper (USA), Rhys Coren – Bubblebyte.org (UK), Petra Cortright (USA), Jesse Darling (UK), Zachary Davis (USA), Brian Droitcour (USA), Cecile B Evans (UK), Joe Hamilton (AUS), Marc Horowitz (USA), Attilia Fattori Franchini- Bubblebyte.org (IT/UK), Rozsa Farkas – Arcadia_Missa (UK), Manuel Fernandez (ES), Paul Flannery (UK), Marina Fokidis (GR), Emilio Gomariz (ES), Brian Khek (USA), Anastasios Logothetis (SE/GR), Miltos Manetas(GR/IT), Michael Manning (USA), Jaime Martinez (MX), Theo Michael (GR/GB), Ceci Moss (USA), Brenna Murphy (USA), Junk jet (Asli Serbest/Mona Mahall) (TR/DE), Hans Ulrich Obrist (CH), Eva Papamargariti (GR), Yuri Pattison (UK), Angelo Plessas (GR/IT), Rafael Rozendaal (NL), Nicolas Sassoon (USA), Hugo Scibetta (FR), Pascual Sisto (USA), Jasper Spicero (USA), Zak Stone (USA), Priscilla Tea (IT), Johannes Thumfart (DE), Panos Tsagaris (GR/USA), Mai Ueda (JP), Lance Wakeling (USA), Krist Wood (USA).

    brotherhood-vernissage-0413-vtv

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  • Permalink for 'Random International: Rain Room / Museum of Modern Art MoMA, New York'

    Random International: Rain Room / Museum of Modern Art MoMA, New York

    Posted: 16-May-2013, 2:32am EDT by contact@vernissage.tv (VernissageTV)
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    After its premiere at the Barbican Centre in London in October 2012, Random International’s Rain Room is now installed at the Museum of Modern Art in New York. Follow us inside: it’s raining, but you won’t get wet (promised).

    Random International?s immersive environment Rain Room is a major component of the MoMA PS1 exhibition EXPO 1: New York. The installation is presented in the lot directly adjacent to The Museum of Modern Art. Simply put, Rain Room is a field of falling water that pauses wherever a human body is detected. Thus, Rain Room offers visitors the experience of controlling the rain. ?The work invites visitors to explore the roles that science, technology, and human ingenuity can play in stabilizing our environment. Using digital technology, Rain Room creates a carefully choreographed downpour, simultaneously encouraging people to become performers on an unexpected stage and creating an intimate atmosphere of contemplation.? Watch also our video covering the presentation of Rain Room at The Curve, Barbican Center and our interview with the founders of Random International, Stuart Wood, Florian Ortkrass and Hannes Koch.

    Random International’s Rain Room turned out to be a lot of fun for the visitors, but it’s also a very complex installation. It consists of injection moulded tiles, solenoid valves, pressure regulators, 3D tracking cameras, wooden frames, steel beams, a hydraulic management system, and a grated floor. The system is controlled by custom software.

    Random International are known for their digital-based contemporary art. The London-based studio creates artworks and installations that explore behaviour and interaction.

    rAndom International: Rain Room. Museum of Modern Art (MoMA), New York. May 10, 2013. Video by Shimon Azulay.

    For more videos featuring Random International click here!

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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    Random International was founded in 2005 by Stuart Wood, Florian Ortkrass and Hannes Koch. They first met when they were students at the Royal College of Art in London. The studio is based in a converted warehouse in Chelsea, London. Random International have exhibited at art fairs, museums and biennials with works and installations such as Pixelroller, Temporary Graffiti, Audience, Study For A Mirror, Swarm Light, Self Portrait, Temporary Light Printing Machine, and Rain Room. The presentation of Rain Room at The Museum of Modern Art is the U.S. premiere of this environment. The piece debuted at Barbican Centre, London, in October 2012.

    Photo set:

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  • Permalink for 'Shirin Neshat: The Book of Kings / Faurschou Foundation, Beijing'

    Shirin Neshat: The Book of Kings / Faurschou Foundation, Beijing

    Posted: 15-May-2013, 3:09am EDT by contact@vernissage.tv (VernissageTV)
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    Shirin Neshat?s solo show The Book of Kings at Faurschou Foundation in Beijing, China features a new body of photography works and a video installation by the internationally acclaimed Iranian artist. The project is inspired by the 60.000 verse epic poem, Shahnameh (Book of Kings), by the 11th century Islamic conquest of Persia. Interweaving history, poetry, music, philosophy and politics, the series is set against the backdrop of the recent Arab Spring, and the Iranian Green Movement, which brought hundreds of thousands onto the streets across Iran in June 2009 in protest against corrupt power. As Shahnameh cast the Islamic conquest of Persia as a tragedy, so The Book of Kings commemorates the countless masses of unknown citizens who courageously sacrificed themselves in the name of justice across the Middle East and Arab World.

    Shirin Neshat: The Book of Kings / Faurschou Foundation, Beijing. April 13, 2013. Video by Diana Coca.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

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  • Permalink for 'Werner Aisslinger: Home of the Future / Haus am Waldsee, Berlin'

    Werner Aisslinger: Home of the Future / Haus am Waldsee, Berlin

    Posted: 14-May-2013, 4:03am EDT by contact@vernissage.tv (VernissageTV)
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    Werner Aisslinger is a multiple award-winning product designer and co-founder of the Berlin Design Festival DMY. For his current exhibition at Haus am Waldsee in Berlin, he transformed the venue into a ?Home of the Future?. Home of the Future is Werner Aisslinger’s first institutional survey exhibition in Germany. The show presents his central theme of material transfer in the form of numerous pieces of furniture and objects. On display, among other things, are modular construction kits, such as stowage spaces and shelves, the renowned Loftcube installation of 2007 in the sculpture garden at Haus am Waldsee, as well as energy storage and renewable furniture, Aisslinger?s most recent ventures.

    Werner Aisslinger: Home of the Future at Haus am Waldsee, Berlin. Interviews with Katja Blomberg (Director, Haus am Waldsee) and Werner Aisslinger. Berlin, Germany, April 21, 2013. Video by Frantisek Zachoval.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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    Werner Aisslinger was born in 1964 in Nördlingen, Germany. He studied Design at the University of Arts (Hochschule der Künste) in Berlin. He freelanced at Jasper Morrison and Ron Arad in London, and founded Studio Aisslinger in 1993. During his career, he received numerous prestigious awards. His work is part of permanent collections of international museums such as the Museum of Modern Art (MoMA), the Metropolitan Museum in New York, the French Fonds National d´Art Contemporain in Paris, the Museum Neue Sammlung in Munich, and the Vitra Design Museum in Weil, Germany. His company has offices in Berlin and Singapore. Werner Aisslinger lives and works in Berlin, Germany.

    One of his most spectacular works is the so-called LoftCube, a mobile house that can be relocated to a new place by helicopter, similar to Matti Suuronen’s famous Futuro. But Werner Aisslinger’s approach is based on the use of the latest technologies, materials and techniques, rather than on futuristic looks. His “Juli chair” was the first item of furniture to use a new type of foam called “polyurethane integral foam” and became the first German chair design to be selected as a permanent exhibit at the MoMA in New York since 1964.

    ?Nowadays, future is not about spaceship design, it’s more about systems, about special ideas, which have an impact on your daily life.?

    One of the ideas is the concept of upcycling and tuning: prolonging life cycles of products. Another is, also with sustainability in mind, the plantation of products:

    ?My future vision is that products are planted, that there’s plantations of products, it’s not industrial production any more: You buy some seed in a shop, one is a chair, one is table, the other is whatever, lamp, and then you kind of plant your own products.?

    Other projects Werner Aisslinger presents in his exhibition are focusing on urban farming and aquaponics. The retrospective runs until June 9, 2013.

    werner-aisslinger-042113

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  • Permalink for 'Phil Collins: In every dream home a heartache / Museum Ludwig, Cologne'

    Phil Collins: In every dream home a heartache / Museum Ludwig, Cologne

    Posted: 13-May-2013, 4:07am EDT by contact@vernissage.tv (VernissageTV)
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    The second exhibition that opened at Museum Ludwig in Cologne (Germany) in time for Art Cologne 2013 was a solo show of Phil Collins, titled In every dream home a heartache. The exhibition that runs parallel to Andrea Fraser’s retrospective features videos and installations that deal with popular culture.

    Phil Collins: In every dream home a heartache / Museum Ludwig, Cologne. Opening reception, April 17, 2013.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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    Press text:

    Having grown up in the North of England in the 70s and 80s, Phil Collins has always had a passionate interest in music, television and popular culture. In his films, photographs and live events, he investigates the relationship between the camera and its subjects, and the affective potential of various recording media in their everyday context. Collins’ practice is focused on close engagement with people and communities, which over the years have included, amongst others, disco-dancing Palestinians, fans of The Smiths over three continents, and teachers of Marxism-Leninism in the former DDR. The projects are often announced through newspaper ads and poster campaigns, or take the form of castings and press conferences, so as to provide a wide-reaching platform for encounters predicated on high emotional stakes. Throughout, Collins’ work reflects his commitment to myriad forms of experience across the social spectrum, and his belief in the power of intimacy and desire within the public sphere.

    For his exhibition at the Museum Ludwig, Collins and his production initiative Shady Lane Productions have realised my heart’s in my hand, and my hand is pierced, and my hand’s in the bag, and the bag is shut, and my heart is caught, a new work in collaboration with guests of GULLIVER, a survival station for the homeless located in the centre of Cologne. There, Collins installed a phone booth with a free line that anyone could use for unlimited international calls on the agreement that the conversations were anonymously recorded. The selected material was then posted to a group of international musicians, serving as the starting point for original new songs presented in the exhibition as 7″ vinyl records in specially designed listening booths which overlook the city’s central station. The project includes contributions by legendary figures such as David Sylvian, Scritti Politti, Lætitia Sadier and Damon & Naomi, the trailblazing experimental and indie acts (Demdike Stare, Planningtorock, Maria Minerva, Heroin In Tahiti, Pye Corner Audio, Peaking Lights), local heroes across different generations (Elektronische Musik aus: Köln, Pluramon, Cologne Tape), and a special guest turn from the original German superstar Julia Hummer.

    my heart’s in my hand, and my hand is pierced, and my hand’s in the bag, and the bag is shut, and my heart is caught is a headfirst dive into a city, tuning in to its many unheard stories and facets of its life that are routinely overlooked. Collins is interested in the lyrical and epic potential of the human voice, specifically in relation to a declining landline technology. He looks at the emotional relationship we have with the telephone when it functions as a measure of our social existence. The project brings back into focus the almost forgotten aspects of a telephone conversation: its physicality and romance; its ceremonial and performative nature; its ability to create and counter distance, and to conjure up the poetry of the spoken word – turn of phrase, the longing for someone or somewhere. Structuring it as an opportunity for a bargain, Collins isolates and dramatises the moment of communication as an intimate and ambivalent encounter.

    Other works in the exhibition are spawns of the same unholy alliance between pop and politics. They both feature original soundtracks by Welsh musician Gruff Rhys and North Wales surf band Y Niwl. This Unfortunate Thing Between Us (2011) is an installation based on TUTBU.TV, an alternative shopping channel performed and broadcast live on German national television. Hosted by a cast of actors and porn workers (Julia Hummer, Susanne Sachsse, Sharon Smith, Judy Minx, Pau Pappel, Matthias Matschke, Trystan Pütter, Niels Bormann, Christian Kärgel, Marcel Schlutt), TUTBU.TV sold real life experiences in place of mass-produced commodities, offering a tantalising glimpse into what could be the future of consumer television. Conceived on the other side of the world in Malaysia, the short film the meaning of style (2011) is a tropical fantasy featuring a cast of anti-fascist skinheads and exotic butterflies, which provides the frame for a poetic meditation on the relationship between British colonial history and youth subcultures in South-East Asia.

    Phil Collins would like to thank all the collaborators and artists who have contributed to this exhibition and who remain a constant and insistent inspiration.

    Curator: Anna Brohm

    phil-collins-041813

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  • Permalink for 'Ideas City StreetFest, New Museum, New York'

    Ideas City StreetFest, New Museum, New York

    Posted: 10-May-2013, 3:09am EDT by contact@vernissage.tv (VernissageTV)
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    Ideas City is a four-day, biennial festival of conferences, workshops, and an streetfest in New York. Ideas City was founded by the New Museum in 2011. It’s a major collaborative initiative between hundreds of arts, education, and community organizations. Ideas City explores the future of cities around the globe with a focus on arts and culture. The 2013′s theme was Untapped Capital, focusing on resources that are under-recognized or underutilized in our cities. In this video, we attend the Ideas City StreetFest on 4th May, 2013 and have a look at what ideas artists, architects, poets, technologists, and other creative people have to shape their city.

    Ideas City StreetFest, New Museum, New York. May 4, 2013. Video by Shimon Azulay.

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  • Permalink for 'Art Beijing ???? 2013 Art Fair'

    Art Beijing ???? 2013 Art Fair

    Posted: 10-May-2013, 11:30am EDT by contact@vernissage.tv (VernissageTV)
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    In this video we look back at Art Beijing ???? 2013, the 8th edition of the art fair in Beijing, China. Around 150 art galleries and institutions, mostly from Beijing, participated in Art Beijing 2013. The fair features both a contemporary and classic art section. Among the participating galleries this year were Chinese and international galleries such as ShanghART, Tang Contemporary, Continua, Beijing Commune, Chambers Fine Art, Halcyon Gallery, and Asia Art Center. According to the organizers, more than a third of the galleries have attended Art Beijing for the first time.

    Art Beijing ???? Art Fair 2013, Agricultural Exhibition Center, Beijing, China. Video by Diana Coca.

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  • Permalink for 'Cutlog New York Art Fair 2013'

    Cutlog New York Art Fair 2013

    Posted: 10-May-2013, 1:51pm EDT by contact@vernissage.tv (VernissageTV)
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    After four successful years in Paris, France, Cutlog art fair launches its first New York edition. The fair runs from May 10-13, 2013. Cutlog New York focuses on showing cutting-edge and established galleries that promote the work of contemporary artists. The fair features 45 galleries and curators that present art, installations, performances, talks, and projections. As part of the outdoor projections program that runs from 8pm – Midnight, Cutlog presents New York Close Up Is Now with simultaneous screeings of Art21′s New York Close Up, Noah Becker’s New York Is Now, and VernissageTV’s Around the World in one go.

    Cutlog New York is located in a former public school in Manhattan’s Lower East Side (107 Suffolk Street). In this video, we attend the preview of the fair on May 9, 2013. Video by Shimon Azulay.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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  • Permalink for ''

    Stefan Müller: Allerliebste Tante Polly / Kölnischer Kunstverein

    Posted: 9-May-2013, 4:22am EDT by contact@vernissage.tv (VernissageTV)
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    Stefan Müller presents new paintings in his solo exhibition titled Allerliebste Tante Polly at Koelnischer Kunstverein in Cologne, Germany. The abstract paintings are mounted on a white fence-like wall, referencing the fence in Mark Twain’s novel The Adventures of Tom Sawyer. The exhibition runs until June 30, 2013.

    Stefan Müller: Allerliebste Tante Polly / Kölnischer Kunstverein, Cologne (Germany). Opening reception, April 17, 2013.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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  • Permalink for 'Tracey Emin: I Followed You To The Sun / Lehmann Maupin Gallery, New York'

    Tracey Emin: I Followed You To The Sun / Lehmann Maupin Gallery, New York

    Posted: 8-May-2013, 2:54am EDT by contact@vernissage.tv (VernissageTV)
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    Tracey Emin: I Followed You To The Sun is a solo show and two-part exhibition at Lehmann Maupin Gallery in New York that features over 100 works of art. The show includes series of new bronze sculptures, paintings, drawings, embroideries, and a short film.

    A series of seven bronze sculptures is the centerpiece of Tracey Emin?s newest exhibition. The artist created the sculptures over the past year at the Long Island foundry used by Louise Bourgeois, with whom Emin had collaborated before her death in 2010. Each bronze is engraved with the artist?s poetic confessions. Like ancient sarcophagi, are adorned with tiny animal figurines and hand-sculpted human figures.

    Tracey Emin: I Followed You To The Sun, Lehmann Maupin Gallery, New York. Opening reception, May 2, 2013. Video by Shimon Azulay.

    PS: Watch our coverage of Tracey Emin’s big retrospective at Kunstmuseum Bern, Tracey Emin ? 20 Years.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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    Press text:

    Lehmann Maupin is honored to present Tracey Emin?s fifth solo show in New York from 2 May to 22 June 2013. Tracey Emin: I Followed You To The Sun is a two-part exhibition featuring over 100 works of art, including a series of new bronze sculptures, paintings and drawings, embroideries, and a short film. Lehmann Maupin has published a special artist monograph on the occasion of the exhibition. The gallery will host a book signing with the artist at 201 Chrystie Street on Wednesday, 1 May from 5 to 7 PM. The following evening, on Thursday, 2 May, Tracey Emin will be present for opening receptions at 540 West 26th Street and 201 Chrystie Street from 6 to 8 PM.

    Regarded as one of the world?s most significant contemporary artists, Tracey Emin is internationally recognized for her blunt and revealing style, which elicits a broad range of emotions from shock to empathy to self-reflection. Drawing on personal experiences, Emin often reveals emotional situations with brutal honesty and poetic humor in a wide variety of media including painting, drawing, embroidery, neon, installation, sculpture, and film. This sprawling, two-part exhibition covers all aspects of Emin?s creative output and continues to reveal her most intimate internal narratives.

    The centerpiece of Emin?s newest exhibition is a series of seven bronze sculptures that she created over the past year at the Long Island foundry used by Louise Bourgeois, with whom Emin had collaborated before her death in 2010. Each bronze is engraved with the artist?s poetic confessions, and like ancient sarcophagi, are adorned with tiny animal figurines and hand-sculpted human figures.

    At 201 Chrystie Street the focus is on a very personal collection of gouache on paper drawings entitled Lonely Chair drawings, which are the primary subject of the accompanying exhibition catalogue. In this series of self-portraits, Emin depicts a solitary female figure in her signature gestural style. The images are drawn from photographs Emin took of herself in France and convey poignant emotions of longing and sadness.

    The show will also feature a short film entitled ?Love Never Wanted Me.? The film follows a wild fox on the grounds of a secluded estate as Emin narrates a haunting account of the pain associated with fleeting love, saying at one point, ?The broken heart is a lonely world and this is the love that I know.?

    In December 2013, the Museum of Contemporary Art, North Miami, will present the first solo museum exhibition devoted to Emin?s work in the United States. Curated by Bonnie Clearwater, the Museum?s Executive Director, Angel Without You will focus solely on Emin?s use of neon, a medium that she began utilizing in 1997. Since then, Emin?s illuminated confessions rendered in her personal handwriting have become widely regarded for their poignancy and the universality of her message. This past February, Emin debuted her first public project in New York?s Times Square, as part of Midnight Moment organized by s[edition], the Times Square Advertising Coalition, and Times Square Arts. Each night from 11:57 PM to Midnight, six of her most iconic neon messages were screened on the Times Square Jumbotrons in a silent and moving tribute to love.

    Tracey Emin (b. 1963, London) was raised in the seaside town of Margate on the English coast. After leaving school at an early age, Emin enrolled at the Maidstone College of Art, Kent, to study printmaking. She continued her studies at the prestigious Royal College of Arts, London, where she earned a Master?s degree in painting. In 1999, Lehmann Maupin presented Tracey Emin?s first solo exhibition in the United States, Every Part of Me?s Bleeding. Following this critically acclaimed exhibition, Emin exhibited her infamous installation ?My Bed? at the Tate Gallery, for which she was shortlisted for the Turner Prize. In 2007, she was chosen to represent Great Britain at the Venice Biennale, becoming the second female artist to ever do so. That same year, Emin was made a Royal Academician and was awarded an Honorary Doctorate from the Royal College of Art, a Doctor of Letters from the University of Kent and a Doctor of Philosophy from London Metropolitan University. In January 2013, Queen Elizabeth II appointed Emin a Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.

    In recent years, Emin has been the subject of a number of retrospective museum exhibitions around the world, including a major solo show at the Museo de Arte Latinoamericano de Buenos Aires, Argentina, which encompassed a collection of her early films (2012); She Lay Down Deep Beneath the Sea, a solo exhibition at Turner Contemporary in her hometown of Margate (2012); and Tracey Emin: 20 Years, the artist?s first retrospective which originated at Scottish National Gallery of Modern Art, Edinburgh (2008), before traveling to the Centro de Arte Contemporáneo, Málaga (2008) and the Kunstmuseum Bern, Switzerland (2009).

    Emin?s work can be found in many of the world?s most prestigious public collections, including the Albright-Knox Gallery, Buffalo; Brooklyn Museum of Art, New York; British Museum, London; Camden Arts Center, London; Centre Georges Pompidou, Paris; Denver Art Museum; Garage Center for Contemporary Culture, Moscow; Hara Museum, Tokyo; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; National Portrait Gallery, London; Neue Nationalgalerie, Berlin; Saatchi Collection, London; San Francisco Museum of Art; Tate Gallery, London; and Walker Art Centre, Minneapolis.

    The artist lives and works in London, England.

    tracey-emin-050213

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