Arte contemporáneo en España

Redes de arte

Observatorio de noticias de arte contemporáneo en blogs nacionales e internacionales.

< En Portada


Redes de arte es un observatorio global de noticias de arte contemporáneo, centrado en blogs nacionales e internacionales de temática artística. Arte10 selecciona regularmente los mejores blogs, para acercarlos al público en formato de feed.


En español Internacional (en inglés) Blogs de Arte10 Ver Todos Incluye tu blog Canales activos  
  ¡Cada dos semanas comentamos en Fluido Rosa de RNE3 las novedades de Redes de arte!
  Redes de arte también tiene su versión offline: Encuentro sobre arte en la red

VernissageTV art tv

1 2 3 4 5 ... 93
  • Permalink for ''

    8th Berlin Biennale for Contemporary Art / Interview with Curator Juan A. Gaitán

    Posted: 4-August-2014, 3:09am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    A few days before the end of the 8th Berlin Biennale, VernissageTV had the chance to speak with Juan A. Gaitán at the exhibition space of the KW Institute for Contemporary Art. Apart from the introduction, the interview is about the starting point of Berlin Biennale and the interconnection of the involved institutions in the event. The aim of the interview is to trace contemporary curatorial praxis. The video features works by the artists Cynthia Gutiérrez, Irene Kopelman, Tonel, Judy Radul, Julieta Aranda, Leonor Antunes, Otobong Nkanga, Santu Mofokeng, Zachary Cahill and Zarouhie Abdalian.

    Juan A. Gaitán (Canada/Colombia) is an independent writer and curator, currently based in Mexico City and Berlin. He is trained as an artist and art historian at University of British Columbia and Emily Carr Institute of Art and Design in Vancouver (Canada). Between January 2009 and December 2011, he was curator at Witte de With Center for Contemporary Art in Rotterdam (The Netherlands), and between September 2011 and June 2012 adjunct professor in the Curatorial Practice Program at the California College of the Arts in San Francisco (USA). His writings have been published in several journals, including Afterall, The Exhibitionist, Fillip, and Mousse.

    The 8th Berlin Biennale for Contemporary Art at the KW Institute for Contemporary Art, Berlin (Germany); Interview with Juan A. Gaitán; July 30, 2014. Video and interview by Frantisek Zachoval.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te858451957');

  • Permalink for 'Punctum. Reflections on Photography / Salzburger Kunstverein'

    Punctum. Reflections on Photography / Salzburger Kunstverein

    Posted: 1-August-2014, 2:47am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Punctum. Reflections on Photography at Salzburger Kunstverein is an exhibition about the nature of photography today. Curated by Séamus Kealy, the exhibition takes its cue from the term ?punctum?, which was coined by the French philosopher Roland Barthes in his final book Camera Lucida: Reflections on Photography. ?Punctum? refers, for example, to a striking detail in the photograph that captivates the viewer. Séamus Kealy invited artists, curators and writers to select photographs that are emblematic of ?punctum?. As a result, the exhibition presents fifty photographs and artworks by artists such as Willie Doherty, Eva Kotátková, Hiroshi Sugimoto, Kader Attia, and Ken Lum, selected by participants such as Duncan Campbell, Peter Weibel, Rabih Mroué, or Boris Groys. In this video, we attend the opening reception of the exhibition on July 25, 2014. We also had the chance to speak with the Director of the Salzburger Kunstverein and curator of the show, Séamus Kealy, who provides us with an introduction to the exhibition. Punctum. Reflections on Photography runs until September 21, 2014.

    Punctum. Bemerkungen zur Photographie. Group exhibition at Salzburger Kunstverein. Vernissage and Interview with Séamus Kealy, July 25, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te1605319056');

  • Permalink for 'Highlights of The Glass House Art Collection: Nauman, Judd, Stella'

    Highlights of The Glass House Art Collection: Nauman, Judd, Stella

    Posted: 31-July-2014, 2:56am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    In this video, we have a look at the highlights of the art collection of the Philip Johnson Glass House in Canaan, Connecticut (USA). Irene Shum Allen (Curator and Collections Manager, The Glass House) provides us with an introduction to Philip Johnson as an art patron, and presents three major works on display at The Glass House: an outdoor sculpture by Donald Judd (Untitled, 1971), which is believed to be Judd’s first outdoor site-specific installation; the painting Averroes (1960) by Frank Stella; and Bruce Nauman’s neon sculpture Neon Templates of the Left Half of My Body Taken at Ten Inch Intervals from 1966.

    Highlights of The Glass House Art Collection: Bruce Nauman, Donald Judd, Frank Stella. Presented by Irene Shum Allen (Curator and Collections Manager, The Glass House). The Philip Johnson Glass House, New Canaan (CT, USA), April 25, 2014.

    PS: Watch also our coverage of the current exhibition project at The Glass House, Fujiko Nakaya’s fog sculpture Veil, and an interview with Fujiko Nakaya; as well as an interview with the Director and Chief Curator of the Glass House, Henry Urbach, who provides us with an introduction to Philip Johnson and The Glass House.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te1088285303');

    Philip Cortelyou Johnson was born in Cleveland, Ohio in 1906. He graduated from Harvard?s Graduate School of Design in 1943. Johnson designed some of America?s greatest modern architectural landmarks, including the Abby Aldrich Rockefeller Sculpture Garden at The Museum of Modern Art, New York?s AT&T Building (now Sony Plaza), Houston?s Transco (now Williams) Tower and Pennzoil Place, the Fort Worth Water Garden, and the Crystal Cathedral in Garden Grove, California. Before practicing architecture, Johnson was the founding Director of the Department of Architecture at The Museum of Modern Art (MoMA) in New York. His landmark 1932 exhibition, The International Style, introduced modern architecture to the American public. Johnson continued a relationship with MoMA throughout his life as a curator, architect, trustee, and patron. He donated more than 2,000 works of art to the Museum including works by Andy Warhol, Jasper Johns, and Robert Rauschenberg.

    Photo set:

  • Permalink for 'Interview with John Armleder'

    Interview with John Armleder

    Posted: 30-July-2014, 4:07am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    This is the interview Swiss artist John Armleder gave after his recent Artist Talk at Fondation Beyeler. In this conversation with Mirjam Baitsch (Fondation Beyeler), John Armleder talks about his career, the role of the artist ? and his tie.

    ?I think the artist is a collateral damage to the art. It’s not that interesting. I think the artists make nice stories, but probably the art is more important ? not probably, certainly the art is more important. And why is it more important, it’s because the person who looks at the art is then the artist. The artist who uses the instruments to provide the art, again, is just a go-between.?

    Interview with John Armleder at Fondation Beyeler, Riehen (Switzerland), June 19, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te1093062034');

  • Permalink for ''

    VernissageTV Classics (r3): Guillermo Kuitca: Das Lied von der Erde / Daros Exhibitions, Zürich (2006)

    Posted: 29-July-2014, 3:40am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    In this video, we revisit Argentinian artist Guillermo Kuitca’s 2006 exhibition Das Lied von der Erde at Daros Exhibitions in Zürich, Switzerland. The show brought together over 100 works from the Daros-Latinamerica Collection, with loans from the Tate Gallery, London, and the Milwaukee Art Museum. Some of the works were recently on display at Fondation Beyeler in Riehen, Switzerland, as part of the exhibition Daros Latinamerica Collection at Fondation Beyeler. Guillermo Kuitca was born in Buenos Aires, Argentinia, in 1961. He is one of Latin America?s leading contemporary artists. Kuitca uses a variety of means to explore places and spaces. From maps, town plans, and architectural drawings the artist creates imaginary poetic and territorial worlds in which reality and fiction merge.

    This is another segment in our series r3 that highlights the treasures of VernissageTV’s huge archive. R3 is a series of VernissageTV classics, now re-mastered, re-edited and reissued in High Definition. Click here for the complete list of videos. Click here for the original post.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te345080561');

  • Permalink for '14 Rooms: Interview with Jacques Herzog (Herzog & de Meuron Architects)'

    14 Rooms: Interview with Jacques Herzog (Herzog & de Meuron Architects)

    Posted: 28-July-2014, 8:40am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Interview with architect Jacques Herzog of Herzog & de Meuron, who conceived the architecture for the Live Art exhibition 14 Rooms in Basel. In this video, Jacques Herzog talks about the basic ideas and elements of the architectural environment of the show. Designed with a high level of direct personal commitment from both of its founding partners, Herzog & de Meuron’s purpose-built architecture plays a crucial role in shaping the exhibition, serving as the interstitial structure tying together a series of intimate experiences in a public space and shaping the viewer’s experience.

    14 Rooms: Interview with Jacques Herzog (Herzog & de Meuron Architects), Basel (Switzerland), June 26, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te1572084526');

  • Permalink for 'Storm King Art Center Sculpture Park'

    Storm King Art Center Sculpture Park

    Posted: 24-July-2014, 10:49pm EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Storm King Art Center is one of the world’s leading sculpture parks. Storm King Art Center is located one hour north of New York City, in the lower Hudson Valley. Its 500-acre landscape of fields, hills, and woodlands provides the setting for a collection of more than 100 sculptures by artists such as Marc di Suvero, Ronald Bladen, Roy Lichtenstein, Andy Goldsworthy, Maya Lin, Richard Serra, Emilio Greco, Henry Moore, Ursula von Rydingsvard, Kenneth Snelson, Alexander Liberman, Isamu Noguchi, Alexander Calder, Zhang Huan, Carl Andre, Alice Aycock, Louise Bourgois, and many others.

    A Day at Storm King Art Center Sculpture Park, New Windsor (NY, USA), May 3, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te600066491');

  • Permalink for 'John Armleder in Conversation with Hans Ulrich Obrist. Artist Talk at Fondation Beyeler'

    John Armleder in Conversation with Hans Ulrich Obrist. Artist Talk at Fondation Beyeler

    Posted: 24-July-2014, 1:35am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    John Armleder is one of the most important and influential Swiss artists on the international art scene. For more than four decades the artist has created a unique universe of works of art including installations, appropriated ready-made sculptures, geometrical pattern and abstract ‘pour’ paintings. This video documents the Artist Talk at Fondation Beyeler, in which John Armleder speaks with Hans Ulrich Obrist about his work. This video is an excerpt, please scroll down for the full-length video (62:29 min.). Watch also the interview with John Armleder after the talk.

    Armleder’s art refers to and redefines how we look at different movements of modern art as well as popular culture and design. His visual investigation of what art is and what art can do continues to influence artists and surprise art lovers across generations and continents. Exhibitions of John Armleder have been held at major museums and galleries around the world including the Peggy Guggenheim Collection in Venice and the Palais de Tokyo in Paris.

    John Armleder in Conversation with Hans Ulrich Obrist. Artist Talk at Fondation Beyeler, Riehen (Switzerland), June 19, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te451928859');

    Complete video (62:29 min.):

  • Permalink for 'Hans Ulrich Obrist and Klaus Biesenbach Talk About 14 Rooms Live Art Exhibition'

    Hans Ulrich Obrist and Klaus Biesenbach Talk About 14 Rooms Live Art Exhibition

    Posted: 23-July-2014, 12:56am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    For the group exhibition 14 Rooms in Basel (Switzerland), the curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship between space, time, and physicality with an artwork whose ?material? is the human being. 14 Rooms was the latest installment of a series of Live Art exhibitions conceived by Hans Ulrich Obrist and Klaus Biesenbach. Originally commissioned as 11 Rooms by Manchester International Festival, the International Arts Festival Ruhrtriennale 2012-2014 and Manchester Art Gallery, the project was shown as 11 Rooms at Manchester International Festival in July 2011, as 12 Rooms at the International Arts Festival Ruhrtriennale 2012-2014 and as 13 Rooms by Kaldor Public Art Projects at Pier 2/3 in Sydney?s Walsh Bay in April 2013. For each edition, the artists list partially changed. 14 Rooms was presented by Fondation Beyeler, Art Basel, and Theater Basel.

    Klaus Biesenbach is Director of MoMA PS1 and Chief Curator at Large at The Museum of Modern Art; Hans Ulrich Obrist is Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery.

    In this video, Biesenbach and Obrist talk about live and performance art, the concept of this exhibition series, the original idea, the concept of the show, and how it evolved over the years. The video above is an excerpt, the complete interview is available further down on this page.

    Hans Ulrich Obrist and Klaus Biesenbach Talk About 14 Rooms Live Art Exhibition. 14 Rooms Live Art Exhibition. Messe Basel, Hall 3, Basel (Switzerland), June 12, 2014.

    Click here for more videos covering 14 Rooms.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te651498020');

    Complete video (13:41 min.):

    The exhibition 14 Rooms featured performative works by artists including Marina Abramovi?, Jennifer Allora & Guillermo Calzadilla, Ed Atkins, Dominique Gonzalez-Foerster, Damien Hirst, Joan Jonas, Laura Lima, Bruce Nauman, Otobong Nkanga, Roman Ondák, Yoko Ono, Tino Sehgal, Santiago Sierra, and Xu Zhen. Two more works join the architectural environment conceived by Herzog & de Meuron. Jordan Wolfson?s acting as an epilogue, John Baldessari?s as an archival documentation.

    Curators Klaus Biesenbach, Director of MoMA PS1 and Chief Curator at Large at The Museum of Modern Art, and Hans Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, have invited 14 international artists to each activate a room, exploring the relationship between space, time and physicality with an artwork whose ‘material’ is a human being. Giving visitors an insight into a more performative and interactive practice, visitors will encounter a new situation within each of the 14 rooms, engaging in a diverse series of immersive and intimate experiences.

    Conceived specifically for Basel, Ed Atkins, Dominique Gonzalez-Foerster and Otobong Nkanga will create new works for the show. Alongside these world premieres, historical piece by artists such as Bruce Nauman and Yoko Ono will be presented for the first time at 14 Rooms and other rarely seen works by acclaimed artists from around the world will be brought to Basel.

    ?14 Rooms? will include Jennifer Allora and Guillermo Calzadilla?s ‘Revolving Door’ (2011), in which a group of dancers spontaneously form a line and begin to rotate around the room in a circular motion, sweeping up visitors as they move around the space.

    In his exploration of social boundaries and socio-cultural inequalities, Santiago Sierra places a succession of war veterans, from varied past conflicts, standing facing one corner of a 5-5-meter room and instructed to only move from their post once solemnly replaced by another veteran mimicking the changing of the guard.

    Damien Hirst?s important early work ‘Hans, Georg’ (1992), consisting of a rotating cast of identical twins sitting below two of his own identical dot paintings, will be restaged at the show under a new title.

    Marina Abramovi??s ‘Luminosity’ (1997) places a performer on a bicycle seat fixed onto a wall bathed in bright light, exploring themes of loneliness and spiritual elevation.

    Roman Ondák?s ‘Swap’ (2011) asks a performer to choose an object as they sit behind a table, and when visitors enter the room they are then able to swap the object with anything else they are willing to exchange, while in Chinese artist Xu Zhen?s ‘In Just a Blink of an Eye’ (2005) a body floats in mid-air as if frozen, defying both time and gravity, and making the audience question reality and reflect on the work’s seeming impossibility.
    Artists and the curators will be attending the opening of the exhibition.

    While the artists themselves are not present in these works, they instruct performers on how to act out their specifications, resulting in over 70 performers ? primarily from the Basel region ? taking part in the exhibition. ?14 Rooms? will be staged in Hall 3 of Messe Basel in walking distance from Messeplatz. The exhibition will open to the public ahead of Art Basel on Saturday, June 14 and will stay open until Sunday, June 22.

  • Permalink for 'Richard Prince: It?s a Free Concert / Kunsthaus Bregenz'

    Richard Prince: It?s a Free Concert / Kunsthaus Bregenz

    Posted: 22-July-2014, 1:57am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    The American artist Richard Prince is mainly known for his photographs of iconic pictures from pop culture and his text images of chauvinist jokes. The exhibition It’s a Free Concert at Kunsthaus Bregenz is the first large-scale solo show by Richard Prince in an Austrian institution. On display are works that revolve around rock and pop music, sex, and American car culture. In this video, we attend the opening reception of the exhibition on July 18, 2014. The exhibition runs until October 5, 2014.

    Richard Prince: It’s a Free Concert / Kunsthaus Bregenz, Bregenz (Austria). Opening reception, July 18, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

    expander_hide('#te1401932400');

    Press text:

    There are almost countless texts, books, and exhibition catalogues about Richard Prince (born 1949), as well as texts he himself has authored not only for his own publications but also those of other artists. Gaining any overview of his exhibition activities proves likewise a challenge, and he was already at the beginning of his career being given solo shows in important international museums. He is known, not least, for the astronomical prices his works command on the art market. Nevertheless, though his work has been widely shown and many believe they know it well, Richard Prince remains an enigmatic artist, even today. He is skilled in convincingly covering his tracks, through sudden changes of direction. That he occasionally returns to the very same paths, for example reusing identical or similar titles, subjects, and motifs which he had previously employed in other series, does not make an understanding of his oeuvre any less demanding. It remains an enigma that, even though his artistic approaches ultimately remain opaque, his Cowboys, Nurses, and Jokes still count amongst the most established contributions to contemporary art?s canon.

    Richard Prince first came to attention at the end of the 1970s through the re-photographing of advertisements and imagery from sales catalogues, but which ultimately featured neither text nor logos. The jewelry and accessories of fashionable lifestyles as well as elegant interiors pervade the atmosphere of the artist?s early photographic works. A decade later his Cowboys based on Marlboro cigarette advertisements quickly achieved cult status and were amongst the highlights of the group exhibition That?s the Way We Do It at Kunsthaus Bregenz in 2011.

    Aspects of American popular culture and the depiction of various social milieus have provided his work?s repeatedly occurring and predominant imagery, which encompasses painting, photography, sculpture, and installation. These include groups from various subcultures such as rockers and their Girlfriends (the title of one of Prince?s series of works).

    Amongst his most popular paintings are the so-called Jokes and Cartoons, in which jokes in the form of text imagery, or drawings in acrylic, are transferred to canvas using the screen-printing process. Even if Prince privileges the banal, such as car hoods, he nevertheless succeeds in placing them in a state of suspension that is equally anchored in the trivial and the auratic. Prince has conceived his exhibition It?s a Free Concert especially for Kunsthaus Bregenz. The majority of works on display will be receiving exposure to a wider public for the first time. It is in just such a spirit that the title represents a kind of leitmotif that permeates the whole of the display, without however individual works being reduced to merely an illustration of it. The reference to a concert could be either interpreted as a reverential homage to the Bregenzer Festspiele, its open-air opera, or an evocation of hippiesque youth culture. Numerous associations to popular and subculture, rock and pop stars such as Bob Dylan, Jimi Hendrix, and so-called doo-wop bands from the 1950s, which the artist grew up with, are omnipresent. The dissolving of boundaries and transcending of conventions which frequently accompany rock concerts, likewise shine through in the small-scale works, where Prince has adorned advertising photos for pornographic films with stickers which normally serve as labeling for DVDs.

    Along with sex, rock ?n? roll and other forms of popular music, the car ? more precisely the American Chevrolet El Camino and Buick Grand National, so-called land yachts ? is an additional site of projection in the exhibition, that is the (supposedly male) American dream of freedom. In his equally reverent and critical examination of his native culture, Prince succeeds in transferring its complex seductive power to works of art. Moreover, and alone by means of the titles of his already legendary car works bearing such names as Elvis or The Doors, he manages, in this exhibition for Bregenz, to loop music and street culture.

    This first large-scale solo exhibition by Richard Prince in an Austrian institution not only demonstrates the range of his approach, but also its impressive conceptual strengths.

    Richard Prince was born in 1949 in the Panama Canal Zone and lives and works in New York. Mining images from mass media, advertising and entertainment since the late seventies, Prince has redefined the concepts of authorship, ownership, and aura. Applying his understanding of the complex transactions of representation to the making of art, he evolved a unique signature filled with echoes of other signatures yet that is unquestionably his own.

    An avid collector and perceptive chronicler of American subcultures and vernaculars and their role in the construction of American identity, he has probed the depths of racism, sexism, and psychosis in mainstream humor; the mythical status of cowboys, bikers, customized cars, and celebrities; and most recently, the push-pull allure of pulp fiction and soft porn.

1 2 3 4 5 ... 93






Otros canales
rss   twitter   facebook   youtube






 portal:   Aviso Legal | Información | Enviar a un amigo | Enlazar con Arte10 | Publicidad en Arte10.com | Contacto | Widgets y RSS | Mapa de Museos de España

Arte10.com (portal) - Arte10.org ((art) red social) - by Portfolio Multimedia

Arte10.com es una marca registrada con referencia: M2303078
ISSN 1988-7744. Título clave: Monográficos de Arte 10. Tít. abreviado: Monogr. Arte 10.

    |  © 1999-2014 ARTE10.COM