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  • Permalink for 'Otto Piene at Neue Nationalgalerie, Berlin'

    Otto Piene at Neue Nationalgalerie, Berlin

    Posted: 21-July-2014, 2:45am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Until August 31, 2014, the Neue Nationalgalerie in Berlin presents ZERO artist Otto Piene’s large-scale slide installation The Proliferation of the Sun. To mark the start of the exhibition, a Sky Art Event has been held outside the Neue Nationalgalerie on the evening of July 19, 2014. Otto Piene was born in Laasphe, Germany in 1928 and died shortly after the opening of the exhibition at Neue Nationalgalerie on July 17, 2014. In this video, we attend the opening of the exhibition, and Joachim Jäger, Head of the Neue Nationalgalerie, provides us with an introduction to the artist, his work, and the current exhibition at New National Gallery.

    Otto Piene is a key artist of the twentieth century avant-garde and one of the founders of the international ZERO movement in the 1960s. He played a definitive role in art’s programmatic new beginning by including elementary natural forces. His smoke and fire images, his light spaces and ballets stand for a virtually romantic longing for unity with nature.

    Otto Piene’s interdisciplinary large projects in public space were pioneering, beginning in the late 1960s in the context of MIT’s Center for Advanced Visual Studies, where he served as director beginning in 1974, or his monumental rainbow for the closing ceremony of the 20th Olympic Games in Munich 1972. Piene’s intense collaboration with natural scientists and technicians opened new perspectives for art that can be found echoed in contemporary positions like those of Olafur Eliasson, Carsten Höller, or Tomás Saraceno.

    Otto Piene: The Proliferation of the Sun and Sky Art Event, July 17, 2014. Interview with Dr. Joachim Jäger, Head of Neue Nationalgalerie. Video and interview by Frantisek Zachoval.

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  • Permalink for 'Thomas Ruff: Lichten at S.M.A.K., Ghent'

    Thomas Ruff: Lichten at S.M.A.K., Ghent

    Posted: 18-July-2014, 1:00am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    The exhibition Thomas Ruff: Lichten at S.M.A.K. (Stedelijk Museum voor Actuele Kunst) in Ghent, Belgium, presents two new series by the German photographer Thomas Ruff: Phg (Photograms, started in 2012), a virtual simulation of the classical genre of the photogram, and Negative (started in 2014), a series in which Ruff reaches back to photography’s roots in the 19th century. In addition, the exhibition presents excerpts from Thomas Ruff’s series Sterne (1989-1992), Nächte (1992-1996) and Interieurs (1979-1983). In this video, Martin Germann (Senior Curator, S.M.A.K.) provides us with an extensive introduction to Thomas Ruff, his oeuvre, and his works on display. The video above is an excerpt, please scroll down for the complete interview.

    The exhibition was initiated by S.M.A.K. and will also be shown in the Kunsthalle Düsseldorf. At S.M.A.K., the show runs until August 24, 2014.

    Thomas Ruff: Lichten at S.M.A.K., Ghent. July 4, 2014.

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    Complete video (14:37 min.):

  • Permalink for 'John Bock: Appeldorn, 2014'

    John Bock: Appeldorn, 2014

    Posted: 17-July-2014, 1:29am EDT by contact@vernissage.tv (VernissageTV)
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    In this Snapshot video we have a look at Joh Bock’s installation Appeldorn, 2014. The work was exhibited at Art Basel in Basel 2014, in the Unlimited sector.

    Official description:
    He didn’t drive. He was driven. Driven to any- thing but a dull velocity. His harddrive was even harddriven which had nothing to do with the fact that his software was not softdriven, nor softworn, no. He wears me out. Driven to despair, driven by strong autobiographical allusions, driving me insane. Driven insane: it doesn’t happen. I was driven insane. No. It drove me insane. Driven to extremes. Driven to distraction. He didn’t drive. He was driven. By what? Watch.
    The term which John Bock employs most often in relation to his works is that of ‘Kunstwohlfahrt’ (art welfare). The idea of artistic social services seems to stand in stark opposition to Bock’s oeuvre, which violates all certitudes and conventions. But the artist is serious in this matter. Quite aware that no ideal viewer exists, he endeavors with his highly invasive works to attack each viewer individually, to shake them up privately, inducing them to reconsider the terms and ideas which have uncritically established the foundations of life.

    Snapshot: John Bock: Appeldorn, 2014, Art Basel in Basel 2014, Unlimited sector, June 17, 2014. Sadie Coles HQ; Anton Kern Gallery; Gió Marconi; Regen Projects; Sprüth Magers.

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  • Permalink for 'Moshekwa Langa: The Jealous Lover / ifa Gallery, Berlin'

    Moshekwa Langa: The Jealous Lover / ifa Gallery, Berlin

    Posted: 16-July-2014, 1:00am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Moshekwa Langa is regarded as one of the most important South Africa’s artists. Langa’s work combines different materials and genres to form large installations or assemblages, which also indicates the different layers of the artist’s own identity. For his solo exhibition at the ifa Gallery in Berlin, Moshekwa Langa has created a new site-specific installation entitled The Jealous Lover, which describes the hope for a better life in the metropolis, a hope which ?captures, captivates and grips? people like jealousy.
    Moshekwa Langa was born in 1975 in Bakenberg in South Africa. The artist lives and works in Bakenberg, Johannesburg and Amsterdam. He created a large floor installation for the Venice Biennale in 2009, and in recent years has been included in numerous international exhibitions and biennials. In this video Moshekwa Langa talks about the idea behind his installation at ifa Gallery Berlin. The show runs until September 21, 2014.

    Moshekwa Langa: The Jealous Lover (Der eifersüchtige Liebhaber) at the ifa – Institut für Auslandsbeziehungen (Institute for Foreign Cultural Relation), Berlin (Germany); Interview with Moshekwa Langa; July 10, 2014. Video and interview by Frantisek Zachoval.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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  • Permalink for 'Interview with Roman Ondak at 14 Rooms Live Art Exhibition in Basel'

    Interview with Roman Ondak at 14 Rooms Live Art Exhibition in Basel

    Posted: 15-July-2014, 1:39am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    In this video, Roman Ondák talks about his work Swap, which was presented at 14 Rooms, the Live Art exhibition that ran concurrently with Art Basel in Basel 2014.

    About the work: A performer sits behind a table like a vendor, with an object he brings along. Once the first visitor enters the room, the performer tries to swap his object with any object the visitor might be carrying with him and which he is willing to give up in exchange for the performer’s object. This sets in motion an endless chain of barter and communication which will go on for the entire duration of the exhibition.

    14 Rooms was presented by Fondation Beyeler, Art Basel, and Theater Basel. The curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship between space, time, and physicality with an artwork whose “material” is the human being.

    Roman Ondák in conversation with Mirjam Baitsch (Fondation Beyeler). 14 Rooms Live Art Exhibition. Messe Basel, Basel (Switzerland), June 12, 2014.

    More videos covering 14 Rooms coming soon, including an interview with Roman Ondák.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

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  • Permalink for 'Roman Ondak: Swap. Performance at 14 Rooms'

    Roman Ondak: Swap. Performance at 14 Rooms

    Posted: 14-July-2014, 1:00am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Roman Ondák’s work Swap was one of the most entertaining works that were presented at 14 Rooms, the Live Art exhibition that ran concurrently with Art Basel in Basel 2014. In this video we watch performer Tony Osborne swapping a key ring, a Müsli bar, sunglasses, 20 Swiss Francs, Roman Ondáks Art Basel photo ID, a visitor’s organ Transplant Card (almost), and a shirt cleaning service card. Includes the special appearance of some well-known art professionals?

    About the work: A performer sits behind a table like a vendor, with an object he brings along. Once the first visitor enters the room, the performer tries to swap his object with any object the visitor might be carrying with him and which he is willing to give up in exchange for the performer’s object. This sets in motion an endless chain of barter and communication which will go on for the entire duration of the exhibition.

    For ’14 Rooms’, curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship between space, time, and physicality with an artwork whose “material” is the human being.

    14 Rooms was presented by Fondation Beyeler, Art Basel, and Theater Basel. The curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship between space, time, and physicality with an artwork whose “material” is the human being.

    Roman Ondák: Swap, 2011. 14 Rooms Live Art Exhibition. Messe Basel, Basel (Switzerland), June 12, 2014.

    More videos covering 14 Rooms coming soon, including an interview with Roman Ondák.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

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  • Permalink for 'Wilfredo Prieto: Speaking Badly About Stones / S.M.A.K. Ghent'

    Wilfredo Prieto: Speaking Badly About Stones / S.M.A.K. Ghent

    Posted: 11-July-2014, 1:17am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Wilfredo Prieto’s solo exhibition with the title Speaking Badly about Stones at S.M.A.K. in Ghent (Belgium) presents an overview of Prieto’s artistic practice over the past fifteen years. Speaking Badly about Stones focuses on the socio-critical aspect of the artist’s work that addresses contemporary topics such as (over)consumption, energy waste and (hyper)capitalism. One of the main works in the exhibition is Much Ado About Nothing (2003), a piece that consists of two trucks with a big electric generator and a huge water tank that power and water a small potted plant. Wilfredo Prieto was born in Sancti Spiritu (Cuba) in 1978. He is considered as one of the most promising young artists to emerge from Cuba in recent years. His work is often described as minimalist, humorous, and poetic. In this video, we have a look at the exhibition, and the curator of the show, Thibaut Verhoeven, provides us with an introduction to the artist and his work.

    Wilfredo Prieto: Speaking Badly About Stones at S.M.A.K. Stedelijk Museum voor Actuele Kunst (Municipal Museum of Contemporary Art) in Ghent, Belgium. Exhibition walk-through and introduction by Curator Thibaut Verhoeven, July 4, 2014.

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  • Permalink for 'Rodney McMillian: From Asterisks in Dockery, 2012'

    Rodney McMillian: From Asterisks in Dockery, 2012

    Posted: 10-July-2014, 1:00am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    In this Snapshot video we have a look at Rodney McMillian’s installation From Asterisks in Dockery, 2012, a small chapel all in red. The work was exhibited at Art Basel in Basel 2014, in the Unlimited sector. Rodney McMillian was born in 1969 in Columbia, South Carolina. He lives and works in Los Angeles.

    Official text: A single-room chapel all in red. Everything is red ? walls, pews, pulpit, the kind of cross that reminds one of makeshift plywood grave markers. Rodney McMillian?s hand-sewn installation From Asterisks in Dockery presents us with the estranged interior of a church. Referencing the turn-of-the century architecture of the rural south, such single-room, wooden chapels once functioned as a site for parishioners to worship and release in gospel revivals, a respite from a grueling life of work. The gospel songs were extensions of the hymns that slaves and, later, sharecroppers and migrant workers sang to find respite from brutally oppressive circumstances. The title of this piece refers to the Dockery Plantation in Mississippi, widely regarded as the birthplace of the blues. Dockery was a 10,000-acre cotton plantation where workers such as blues pioneers like Charley Patton, Howlin’ Wolf, and Robert Johnson created the musical form. McMillian?s Dockery, a stitched together and suggestively hued space complicates the notion of a specific birthplace, and suggests deeper, more complex roots for the musical movement. It alludes to the juke joints and clubs where the music was played and enjoyed as well as to the hell of church burnings and fiery sermons.

    Snapshot: Rodney McMillian: From Asterisks in Dockery, 2012 Art Basel in Basel, Unlimited sector, June 17, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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  • Permalink for 'Peter Doig. Artist Talk at Fondation Beyeler'

    Peter Doig. Artist Talk at Fondation Beyeler

    Posted: 9-July-2014, 2:39am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Peter Doig in conversation with the curator of his upcoming show at Fondation Beyeler in Riehen, Ulf Küster. Peter Doig talks about about his solo exhibition that opens in November 2014, and his work in general. This video is an excerpt, please scroll down for the complete video.

    Peter Doig in Conversation with Ulf Küster. Artist Talk at Fondation Beyeler, Riehen (Switzerland). June 20, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
    > On YouTube:

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    Complete video (52:17 min.):

  • Permalink for ''

    Julio Le Parc: Continuel Mobile ? Sphère rouge, 2001-2013

    Posted: 8-July-2014, 1:00am EDT by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    This Snapshot is a 360° view of French-Argentinean artist Julio Le Parc’s artwork Continuel Mobile – Sphère rouge (2001-2013), which was exhibited at the 2014 edition of Art Basel in Basel, Unlimited sector.

    The op art and kinetic art artist Julio le Parc was born in 1928 in Mendoza, Argentina. He is founding member of the Groupe de Recherche d’Art Visual. In 1966, he was awarded the Grand Prize for Painting at the 33rd Venice Art Biennale. In 2013, he had a solo exhibition at Palais de Tokyo in Paris, France. Julio le Parc lives and works in Cachan, France.

    Official description:
    Julio Le Parc Continuel Mobile ? Sphère rouge, 2001 – 2013 Red plexiglas, steel threads, aluminium, painted wood. Continuel Mobile ? Sphère Rouge, by French-Argentinean artist Julio Le Parc is composed of almost three thousand red translucent square-shaped elements drawing the impressive shape of a 5 meter wide sphere in the air. With a great economy of means, the artist explores the notions of movement and instability. He relies on the reflection of neighboring images and of light in movement on small forms made of Plexiglas, connected simply with strings. Through his immersive practice and by eliminating reference points, he alters our perception of and our relation to the scale of the space. The numerous translucent elements are set into motion by the tiniest change in the air currents. Light is trapped in the structure, multiplied and diffused in every direction. The beams of light are projected throughout the exhibition hall, turning it into a panoptic screen. Initiated in the early sixties, the artist describes the series Continuel Mobile as a major step in his search for an open work of art: “it helped me resolve the problem that preoccupied me: the diversity of situations, in one experience, the notion of movement, the instability and the probability, the outside contingences of the work and the will to move away from the notion of a stable and definitive work.” Exhibited (selection) Julio Le Parc, Palais de Tokyo, Paris, February – May 2013 Inauguration, Espacio Cultural Julio Le Parc, Mendoza Publications (selection) Pierre, Arnaud, Julio Le Parc, monograph, Skira Flammarion, 2013, p. 123.

    Snapshot: Julio Le Parc: Continuel Mobile – Sphère rouge, 2001-2013. Gallery Bugada & Cargnel, Paris. Art Basel in Basel, Unlimited sector, June 17, 2014.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.
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