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VernissageTV art tv (10 unread)

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  • Permalink for 'VernissageTV Classics (r3): Doug Aitken: The Sonic Happening (Migration) / 303 Gallery, New York (2008)'

    VernissageTV Classics (r3): Doug Aitken: The Sonic Happening (Migration) / 303 Gallery, New York (2008)

    Posted: 30-December-2011, 10:12am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    For the inaugural show in 303 Gallery’s 21st street space in New York City, multimedia artist Doug Aitken presented Migration, the first in a 3-part cycle of installations titled Empire. VernissageTV attended a special viewing of Doug Aitken’s installation Migration on October 2, 2008. Aitken invited the musicians Lichens, White Rainbow and ARP to perform live music improvisations to the installation, replacing the film?s original soundtrack.

    This is another segment in our series r3 that highlights the treasures of VernissageTV?s huge archive. R3 is a series of VernissageTV classics, now re-mastered, re-edited and reissued in High Definition. Click here for the complete list of videos. Click here for the original post and more information about the show.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.


  • Permalink for 'Jennifer Rubell: Incubation. Interactive Food Installation.'

    Jennifer Rubell: Incubation. Interactive Food Installation.

    Posted: 28-December-2011, 8:27am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    As every year, Jennifer Rubell conceived a breakfast installation for Art Basel Miami Beach week. It’s Jennifer Rubell’s 11th installation at the Rubell Family Collection. Titled Incubation, the installation consists of two parts: an incubation gallery where yogurt is being made; and an observation gallery where the yogurt is anointed with honey and then consumed. As you can see in this video some skill was needed to catch the honey that was dripping from a container above the heads of the guests…

    Jennifer Rubell: Incubation. Interactive Food Installation at Rubell Family Collection. Miami, November 30, 2011.

    PS: Click here for more info and videos on Jennifer Rubell.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.


  • Permalink for 'American Exuberance. Group Exhibition at Rubell Family Collection, Miami'

    American Exuberance. Group Exhibition at Rubell Family Collection, Miami

    Posted: 26-December-2011, 5:18am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    The current group exhibition at the Rubell Family Collection presents 190 artworks from 64 artists. 40 of the works were made in 2011, many specifically for this exhibition. The show is titled American Exuberance and includes artists such as John Baldessari, George Condo, Aaron Curry, Wade Guyton, Mark Handforth, Jeff Koons, Paul McCarthy, Raymond Pettibon, Elizabeth Peyton, Rob Pruitt, Sterling Ruby, Andy Warhol, and Christopher Wool. The exhibition runs through July 27, 2012.

    American Exuberance. Rubell Family Collection / Contemporary Arts Foundation, Miami. November 30, 2011.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.


  • Permalink for 'Will Ryman at Fairchild Tropical Botanic Garden, Coral Gables'

    Will Ryman at Fairchild Tropical Botanic Garden, Coral Gables

    Posted: 23-December-2011, 9:30am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    The Fairchild Tropical Botanical Garden in Coral Gables, Florida is known for its spectacular tropical landscape. Since several years, there’s also a visual art program that attracts visitors to the park, with artists such as Dale Chihuly, Fernando Botero, Roy Lichtenstein, Mark di Suvero, Yayoi Kusama and Francois-Xavier and Claude Lalanne.

    This year’s Art at Fairchild exhibition is dedicated to Will Ryman’s oversized sculptures. It’s Will Ryman’s largest outdoor exhibition to date. It includes three massive, new monochrome rose sculptures in red, yellow, and blue, ranging from five to 30 feet in height. The largest one, Icon (2011) has already been on display in Regent’s Park in London as part of Frieze Art Fair’s Frieze Sculpture Park 2011. The three roses titled Origin, Icon, and Encore are works that Will Ryman envisioned especially for Fairchild Tropical Botanical Garden.

    In addition to the roses, Will Ryman has created several oversized petals that float on the ponds and lie on the grassy areas of the garden. He also distributed 15 ants and seven bees on the park.

    Another of Will Ryman’s colossal roses, 65th Street, was installed on the Sagamore hotel’s beachfront for Art Basel Miami Beach 2011.

    Will Ryman was born in New York City in 1969. His work has been included in numerous exhibitions including “Greater New York 2005″, at P.S. 1 Contemporary Art Center, New York; and “The Shape of Things to Come”, at The Saatchi Gallery, London. Ryman’s first major outdoor installation “The Roses” made its debut on Park Avenue in New York City in January 2011.

    Will Ryman at Fairchild: Desublimation of the Rose. Fairchild Tropical Botanical Garden, Coral Gables / Florida. VIP tour, November 29, 2011.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.


  • Permalink for 'VernissageTV PDF-Magazine No. 20: Cosyanalogueworld'

    VernissageTV PDF-Magazine No. 20: Cosyanalogueworld

    Posted: 21-December-2011, 10:19am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Out now: VernissageTV PDF-magazine No. 20, December 2011.

    The topics of VernissageTV’s PDF Magazin No. 20 are Tomas Saraceno’s exhibition Cloud Cities at Hamburger Bahnhof; the Ed Kienholz and Nancy Reddin Kienholz exhibition The Signs of the Times at Schirn Kunsthalle Frankfurt; Pawel Althamer’s Almech at Deutsche Guggenheim Berlin; Pipilotti Rist’s video installations at Cinema Manzoni in Milan, Italy; and the Found Objects 2 photo series by Didier Leroi.

    Artists in this issue: Edward Kienholz and Nancy Reddin Kienholz; Tomas Saraceno; Tacita Dean; Pawel Althamer; Pipilotti Rist; Will Ryman.

    Click image or this link to download the magazine (25 MB) or hit the jump to view in Issuu Reader.

    View in Issuu Reader:


  • Permalink for 'Erwin Wurm: Beauty Business. Bass Museum of Art, Miami Beach'

    Erwin Wurm: Beauty Business. Bass Museum of Art, Miami Beach

    Posted: 19-December-2011, 8:23am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Erwin Wurm is one of the most successful contemporary Austrian artists. His work owns a very unique kind of humor and questions the traditional definition of sculpture. In his One Minute Sculptures he puts himself or his models in unexpected and unusual relationship with everyday objects. Erwin Wurm’s work often invites the viewer to interact and participate and become part of the artwork. Wurm and his work became known outside the art world when the alternative rock band Red Hot Chili Peppers released the video to their song Can’t Stop, which was obviously inspired by Erwin Wurm’s art.

    Coinciding with Art Basel Miami Beach 2011, the Bass Museum of Art in Miami Beach opened an exhibition with new works by Erwin Wurm. Entitled Beauty Business, it features sculptures that were created specifically for this show. Among the pieces on display are works from Erwin Wurm’s Drinking Scupture series. Various pieces of furniture form a bar. The viewer is invited to drink ? and get drunk: ?Open the cabinet door take out the alcohol pour some in the glass and drink the work is finished when you are drunk?. In this video, we attend the opening reception of the exhibition and observe the audience interacting with Erwin Wurm’s work.

    Also on display are Wurm’s ?sweater? pieces. These large-scale wall works blur the boundary between human form and the museum building. There’s also a series of smaller sweater sculptures and a new series of ?hoodie? works.

    Erwin Wurm was born in Bruck an der Mur. He lives and works in Vienna and Limburg, Austria. The artist has exhibited extensively with shows at the Museum of Contemporary Art, Sydney, Australia, (2005); Musée d?Art Contemporain de Lyon, France, (2007); Konstmuseum Malmö, Sweden, (2008); Kunstmuseum St. Gallen, Switzerland, (2008); the Moscow Biennial (2009); Ullens Center of Contemporary Art, Beijing, China (2010); Kunstmuseum Bonn (2010); Museum of Modern Art, New York (2010).

    Works by Wurm are included in prestigious collections throughout the world at the Guggenheim Museum, New York; Peggy Guggenhein Collection, New York; the Walker Art Center, Minneapolis, MN; Museum Ludwig, Cologne, Germany; Kunstmuseum St. Gallen, St. Gallen, Switzerland; Musèe d`Art Contemporain de Lyon, Lyon, France; and Centre Pompidou, Paris, France, among others.

    Erwin Wurm: Beauty Business runs through March 4, 2012. The exhibition is produced in collaboration with Dallas Contemporary, Texas and curated by Peter Doroshenko. After its presentation at the Bass Museum of Art it will be on view at Dallas Contemporary April 14 through August 19, 2012.

    Erwin Wurm: Beauty Business. Bass Museum of Art, Miami Beach. Opening reception, November 30, 2011.

    PS: Watch our report on Erwin Wurm’s retrospective at Deichtorhallen in Hamburg, Germany in 2008 with an introduction by Robert Fleck:

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.


  • Permalink for 'Haresh Lalvani: Mass Customization of Emergent Designs / Moss Gallery / Design Miami 2011'

    Haresh Lalvani: Mass Customization of Emergent Designs / Moss Gallery / Design Miami 2011

    Posted: 16-December-2011, 8:53am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    ?Form is Process?. ?Mass Customization?. ?Infinite Infinities?. ?Number is All?. ?The Moral Justification for Modernist Standardization? is no more?. ?Professor Lalvani is continuing to explore the fundamental principles of geometry where Fuller left off?. This is what Design Miami visitors could read on the walls of the booth of the design gallery Moss from New York. We wanted to know what’s behind the handwritings on the wall and what is so special about the aesthetic, shining white objects that were on display.

    We had the chance to speak with Murray Moss, the founder of the gallery about the creative mind behind the objects, Haresh Lalvani, and his mathematical approach to design. In this video, Murray Moss tells us how he got to know about the person and work, and the reason behind the presentation of Haresh Lalvani’s work at Design Miami. He talks about the concept of Moss’s booth at Design Miami, and illustrates Haresh Lalvani’s ideas by explaining the design and production process of the fruit platter, that Moss presented at the design fair. Furthermore he hints at the implications of what the mathematics based mass customization might have for the future of design.

    Within the framework of Moss’s exhibition entitled Dr. Haresh Lalvani: Mass Customization of Emergent Designs, two collections were on display: Morphing Fruit Platters 1D Series 300 and HyperSurface. The Fruit Platter series consists of 1,000 variations. Each plate is numbered and sold with a DVD showing an animation of the morphing that determines the design of the plates.

    Dr. Haresh Lalvani is Professor of Architecture at Pratt Institute, New York. He is architect, but also sculptor, inventor, and morphologist. For over thirty years, Haresh Lalvani has been working to identify the basic principles that define all forms, both those found in nature as well as those man-made.

    Since its inception in 1994, the design gallery Moss has presented artist and designers such as Maarten Baas, Fernando and Humberto Campana, Studio Job, Tord Boontje, Gaetano Pesce, Hella Jongerius, Peter Marigold, Oscar Magnus Narud, Cathy McClure, Kiki van Eijk, Joost van Bleiswijk, Tokujin Yoshioka, Massimiliano Adami, and Andrea Salvetti.

    Haresh Lalvani: Mass Customization of Emergent Designs at Moss Gallery, Design Miami 2011, in collaboration with Milgo / Bufkin. Interview with Murray Moss, December 3, 2011.

    PS: See also Steven Mesler on Haresh Lalvani at Huffington Post. For more info use our custom search engine to find news, videos, and photos on Haresh Lalvani:

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.

    PPS: Click here for the complete interview.

    Full-length video (09:05 Min.):


  • Permalink for 'Tracing Mobility at Haus der Kulturen der Welt, Berlin'

    Tracing Mobility at Haus der Kulturen der Welt, Berlin

    Posted: 15-December-2011, 10:39am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    The exhibition Tracing Mobility at Haus der Kulturen der Welt in Berlin, Germany sets out to examine how electronic networks and mobile media are transforming our conceptions of time, space and distance.

    The exhibition presents the positions of 16 international artists who trace the shifting terrain of global and local mobility, virtual and material movement. They use varying approaches to pursue the numerous questions of our present’s mobility: Where can we escape to when online- and offline worlds converge? What does the movement of a body in a landscape indicate when every point of the earth is within reach through the aid of digital technology? How do mobile devices and media alter our mindset and change our perception of time and space?

    The exhibiting artists are: Frank Abbott (UK), Aram Bartholl (DE), Neal Beggs (UK/FR), Heath Bunting (UK), Janet Cardiff / George Bures Miller (CAN), Miles Chalcraft (UK/DE, Simon Faithfull (UK/DE), Yolande Harris (UK/NL), Folke Köbberling & Martin Kaltwasser (DE), Landon Mackenzie (CAN), Open_Sailing (FR/JP), plan b (Sophia New & Dan Belasco Rogers) (UK/DE), Esther Polak & Ivar van Bekkum (NL), Gordan Savicic (AT/NL) , Mark Selby (UK), and Michelle Teran (CAN/DE).

    Tracing Mobility at Haus der Kulturen der Welt, Berlin. Opening reception, November 23, 2011. Video by Astrid Gleichmann.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.


  • Permalink for 'It Ain?t Fair: Materialism. Group Show. OHWOW, Miami'

    It Ain?t Fair: Materialism. Group Show. OHWOW, Miami

    Posted: 14-December-2011, 9:39am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    It Ain’t Fair: Materialism is a group show that the gallery and publisher OHWOW has been presenting on the occasion of Art Basel Miami Beach 2011. As the title says, the exhibition took on a thematic focus: materialism. It featured work by over twenty artists, including Daniel Arsham, Justin Beal, Anna Betbeze, Ashley Bickerton, Scott Campbell, Peter Coffin, N. Dash, Sam Falls, Michael Genovese, Luis Gispert, Angel Otero, José Parlá, Ryan Reggiani, Bert Rodriguez, Aurel Schmidt, David Benjamin Sherry, Lucien Smith, Agathe Snow, Nick Van Woert, and Aaron Young.

    It Ain’t Fair: Materialism. OHWOW, Miami / USA. Opening reception, December 1, 2011.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.

    From the press release: “The theory of materialism, in modern philosophy, maintains that substance and matter are the only physical realities. Within the scope of contemporary art, many artists explore ideas of the intangible – intellectually, conceptually, and visually. Conversely, It Ain?t Fair: Materialism aims to focus on the physicality of artwork, the matter that constitutes an object, and the new methods employed by artists toward approaching material. This type of work not only values substance, it magnifies its significance.”

    OHWOW is a gallery, publisher, and special project. OHWOW has gallery and retail locations in Los Angeles, Miami, and New York City. It was founded in 2008 by Al Moran and Aaron Bondaroff.


  • Permalink for 'Ruben Ochoa: Cores & Cutouts / Locust Projects, Miami / Interview'

    Ruben Ochoa: Cores & Cutouts / Locust Projects, Miami / Interview

    Posted: 13-December-2011, 9:24am CET by contact@vernissage.tv (VernissageTV)
    Archivo adjunto [Descargar]

    Cores and Cutouts is Los Angeles-based artist Ruben Ochoa’s first solo exhibition in Miami, Florida. For his show at Locust Projects he created a new site-specific installation using the building’s substructure as source material. In this video, Ruben Ochoa talks about his new work.

    Ruben Ochoa is known for using building materials such as concrete and steel. At Locust Projects he cut through the concrete floor to expose subterranean cross-sections of the gallery’s foundation, revealing the space where earth and architecture intersect. Cored segments of the concrete floor are sitting like flowers on steel columns above their normal resting place and the heads of the gallery’s visitors, resembling abstract paintings.

    Ruben Ochoa was born in Oceanside, California in 1974. He currently lives and works in Los Angeles. Recent exhibitions include a two person show at the San Jose Museum of Art, San Jose, CA, 2011; and group exhibitions in the FGAP @ Venice, Collateral Event of the 54th International Exhibition, La Biennale di Venezia, Palazzo Papadopoli, Venice, Italy, 2011; and The Artist?s Museum: Los Angeles Artists 1980-2010, Museum of Contemporary Art, Los Angeles, CA, 2010. Ochoa has had solo exhibitions at the Museum of Contemporary Art, San Diego, CA, 2010; Susanne Vielmetter Los Angeles Projects, LA, 2010; Charles H. Scott Gallery at Emily Carr University, Vancouver, British Columbia, Canada, 2009; and Site Santa Fe, NM, 2009. Ochoa was included in the 2008 Whitney Biennial at the Whitney Museum of American Art, NY and the 2004 California Biennial at the Orange County Museum of Art, CA. He has been awarded the John Simon Guggenheim Memorial Foundation Fellowship, 2008 and a Creative Capital Foundation Grant, 2005. Upcoming exhibitions include his first solo exhibition at James Cohan Gallery, NY in the spring of 2012. The exhibition at Locust Projects runs until January 28, 2011.

    Locust Projects is a not-for-profit exhibition space founded by three Miami artists in 1998 in order to provide contemporary visual artists the freedom to experiment with new ideas and methods without the limitations of conventional exhibition spaces.

    Ruben Ochoa: Cores & Cutouts. Locust Projects, Miami. Interview with Ruben Ochoa on the occasion of the Reception for the Artist, coinciding with Art Basel Miami Beach 2011. Miami / USA, December 1, 2011.

    > Right-click (Mac: ctrl-click) this link to download Quicktime video file.


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